âArrival”: Director Denis Villeneuve shocked audiences around the globe with his engrossing and intelligent science fiction thriller, âArrival,â starring Amy Adams and Jeremy Renner. Regrettably Amy Adams has no chance at winning Best Actress, because she was snubbed in the nominations. Donât count this alien film out, though. As it is both a gripping science fiction thriller and an introspective examination on the art of communication, âArrivalâ could win Adapted Screenplay. âArrivalâ could also win Best Production Design due to the unique nature of its spaceshipsâ interiors and exteriors. The odds of âArrivalâ winning Best Picture are minimal, but this is a good thing, because the DVD will be less expensive and easier to get your hands on.
âFencesâ: Denzel Washington directs and stars in August Wilsonâs acclaimed play about Pittsburgh, family and the struggle for power in âFences.â Accompanying Denzel is a triumphant performance by Viola Davis and Mykelti Williamson. Considering the weight and earnest bitterness in his performance, Denzel Washington could win his second Oscar for Best Actor. Viola Davis is definitely going to win Best Supporting Actress, as she won the Golden Globe (GG) and the Screen Actorâs Guild Award (SAG). Denzelâs directing is also a standout feature of âFences.â He added a foundation of pure Christianity to the film without changing a single line of August Wilsonâs dialogue. It would be impressive if âFencesâ wins Best Picture, but not as impressive as seeing it in theatres.
âHacksaw Ridgeâ: âHacksaw Ridgeâ is the incredible true story of World War II soldier Desmond Daas, a devout Christian who refused to use firearms. Itâs a gripping war story led by Best Actor nominee Andrew Garfield. âHacksaw Ridgeâ might only win Sound Editing, but a bigger surprise is this filmâs director nomination. Mel Gibson, after being abandoned by the Academy for over a decade, received a Best Director nomination for his outstanding work. Though it is one of the stronger entries for Best Picture, âHacksaw Ridgeâ could unfortunately leave the night with nothing. It is a film worth seeing, and it has a powerful message on the importance of remaining steadfast to your morals in a world telling you to fall in line.
âHell or High Waterâ: In the heart of Texas, two brothers must save their familyâs ranch by doing what they believe is right, robbing banks, in David Mackenzieâs crime drama âHell or High Water.â Chris Pine, Ben Foster and Best Supporting Actor nominee Jeff Bridges spit life into Taylor Sheridanâs remorseless screenplay. After watching any clip from this film, it is overwhelmingly clear why âHell or High Waterâ was nominated and could win Best Original Screenplay. It doesnât deserve it though because despite the filmâs clever back and forth between characters, the story takes awhile to raise its stakes. Itâs probably not going to win Best Picture, but I liked seeing it on DVD, and so will others looking for a new modern Western.
âHidden Figuresâ: Theodore Melfi directs three tremendous actresses, Taraji P. Henson, Octavia Spencer and Janelle MonĂĄe, in this movie based on the true story of the woman who strung the math together and put a man in orbit, âHidden Figures.â Of all the Best Picture nominees, âHidden Figuresâ is nominated for the fewest amount of Oscars, only receiving two other nominations. Its chances of winning Best Adapted Screenplay are slim, as it is going up against âArrivalâ and âMoonlight.â Octavia Spencerâs chances of winning Best Supporting Actress are the bare minimum, as Viola Davis has this award practically locked. âHidden Figuresâ is most likely not going to win anything, and it is not worth seeing in theatres, but you should still check it out when it becomes available at our school library.
âLa La Landâ: Reviving the original theatrical musical and lifting audienceâs spirits around the world, ambitious director Damien Chazelleâs âLa La Landâ is this yearâs top contender for everything. It will most likely win Best Original Song, âCity of Stars,â Best Sound Mixing, Best Original Score, Best Costume Design, Best Production Design, Best Cinematography and Best Film Editing. âLa La Landâ is also the strongest frontrunner for Best Director, as Damien Chazelle has won the Directorâs Guild Award and the GG. âLa La Landâ will likely win Best Original Screenplay, as it won the only screenplay award in the GG. Emma Stone is also looking to win Best Actress, since she won the SAG and the GG. Ryan Gosling isnât a lock for Best Actor because he lost the SAG to Denzel Washington. Even if âLa La Landâ doesnât win âthe top five,â Best Picture, Best Actress, Best Actor, Best Director and Best Screenplay, it has already made history at this yearâs Oscars. Nominated for a record-tying 14 nominations, I would be shocked if âLa La Landâ did not win Best Picture. Itâs one of the best films I have seen in theatres, and itâs worth every penny.
âLionâ: Supporting actor nominee Dev Patel plays Saroo, an adopted boy who got lost on the streets of Calcutta at the age of nine, in Garth Davisâ âLion.â The film is split into two parts, young Saroo finding himself lost and older Saroo searching Google Earth for his family. Of all of the Best Picture nominees, you can expect this film to win nothing. It doesnât stand a chance against its competitors, but it is worth watching when it comes out on DVD.
âManchester by the Seaâ: Casey Affleck plays an uncle who becomes his teenage nephewâs new guardian in Kenneth Lonerganâs âManchester by the Sea.â This movie could win Best Original Screenplay, and Affleck could win Best Actor since he won it at the GG. I have not seen this movie, but I am not looking forward to watching it. All of the clips I have watched contained characters talking over each other, answering none of their questions. I am led to believe this is a touching and sentimental movie, but I have a hard time believing it will stick around once Oscar season is over.
âMoonlightâ: Oscar-nominated director Barry Jenkins sheds light on the hardships and relentless reality of growing up as an African American in Miami in his stunning film âMoonlight.â The lead character is played by three different people, each one representing a different stage in their life. Mahershala Ali gives a riveting and heartfelt supporting performance, worthy of his GG and of an upcoming Oscar. He could, however, lose this award to Michael Shannonâs performance in âNocturnal Animalsâ (not nominated for Best Picture). Barry Jenkinsâ memorable writing is sure to win Best Adapted Screenplay. âMoonlightâ could also win Best Cinematography and Best Film Editing. Next to âLa La Land,â âMoonlightâ is the film to look out for in this yearâs Oscars and later on our libraryâs shelves.
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