To have the opportunity time and time again to express oneself through art in any form is truly a blessing, and Eastern University certainly does not fall short of providing those opportunities. With 12 art and performance clubs and ministries on campus, student leaders are eager and waiting for new members to gallivant in their direction. These clubs and ministries include the Angels of Harmony Gospel Choir, Blaze Step Team, Eastern Dance Club, Eastern Dance Ministry, E.T.H.E.L.S., Music Guild, Precious Movements, Redefined, Society of Art and Illustration, Spoken Word Ministry, Threadheads and Transformed. There will be a campus-wide club fair on Saturday, Sept. 3. For more information about these clubs, visit the Clubs and Organizations section of Eastern’s website, or contact Ben Howard at bhoward@eastern.edu.

To provide deeper insight into the heart and soul of the drama ministry, Transformed, leaders Noah Gregory and Katarina Rorstrom spoke such truth about their passion and love for their God-given gift of performance.

What makes Eastern University’s drama ministry, Transformed unique?

Gregory: “I love the verse in 2 Samuel 6:22, which reads, ‘I will become even more undignified than this,’ because it’s like, let’s have some fun! Let’s move our limbs a little bit. God created this world in a way that’s gorgeous, and art can be used to glorify that creation as well. When a potter is throwing a cup, he begins with a lump of clay. He knows what he wants the cup to look like, but the lump of clay doesn’t–nor do the onlookers observing the art of pottery. The clay might think it’s going to be a bowl, but the potter’s making it into a cup. We’re sort of like that, both as actors and as Christians. We are told in Ephesians 2:10 that we are God’s masterpiece. We are a work of art, and we can use our own beauty to glorify God, which is so, so cool. It’s great because we’re amateurs in Transformed. We’re not professional actors; we want to learn, we want to grow, we’re improv [sic]! It’s exciting–also kind of terrifying, but definitely exciting. Every time we get on the stage it’s different. We’re not looking to be perfect; we’re looking to be accessible.”

Rorstrom: “Other ministries have a certain audience, a certain target outreach group, but we don’t really know who we’ll reach, which is unique and also challenging. God gives us stories, and we try to perform them in a way that glorifies Him. We throw the stories out there and see what people take from them!” In what way does art influence faith that other outlets may not? Rorstrom: “I mean, how do you worship without art? Art just brings us into the presence of God in ways that other mediums don’t. We read in Psalms to sing unto the Lord, to dance. Transformed is taking the truths of God and expressing them in ways we can’t with words. What’s also cool about performing with a club or ministry is that you’re doing it with other people. Meeting with a tight connection of people to make drama that is glorifying to God fuses us together in such a beautiful way. We are demonstrating God’s love to each other and to others through stories.”

Why are art clubs and ministries in particular an important part of Eastern’s community?

Gregory: “It’s important to remember our roots, to remember where we came from, and that includes remembering to include art in our school’s community. Even in biblical times, using dance and song and even colors woven together for the tabernacle were ways to worship. Since we don’t have many opportunities to major in Fine or Performing Arts anymore, we need these clubs and ministries for students to express themselves and to cultivate faith.”

Rorstrom: “Learning and discussing ideas is so important, but sometimes it takes expressing those ideas in a tangible way to make them more real to me. The two dance together so beautifully. If I didn’t have both, I wouldn’t be learning what I’m learning.”

Under the Affordable Care Act, almost all employers must provide health insurance to their employees. Along with this, all health insurance companies must cover contraceptive costs for women at no additional charge to their plans. So, indirectly, most employers are required to provide contraception to their employees. If a religious nonprofit employer objects to contraception for faith-based reasons, they are permitted to submit a one-page form to the federal government, allowing an insurance company to provide the birth control coverage directly to the employees without going through the religious nonprofit. Government officials will find a third-party insurer, without the involvement of the employer, to pay for and administer the contraceptive coverage.

Various religious nonprofit groups, most notably the Little Sisters of the Poor, have been speaking out against this, claiming that simply acting around them to provide employees with birth control does not remove them from the scenario. They claim that filling out the form is still facilitating something against their religious beliefs. The government argues that the accommodation removes them from the requirement, and this doesn’t qualify as a “substantial burden” according to the Religious Freedom Restoration Act. The Supreme Court case Zubik vs. Burwell is a consolidation of seven cases objecting to the same type of ruling.

This case is being closely watched for different reasons. Some watch this case with arguments of women’s rights ready to fire off their tongues. Others say this case is the cross section of the pro-life movement and religious liberties, and still others see this as an example of religion and government overlapping where they should not.

In regards to this issue, The Atlantic published an article, titled “Women’s Health Takes a Backseat to Religion Again.” While the feminist in me itches to fight for women’s rights in this dissonance, something larger is at hand, something that, dare I say, matters more than women’s rights–something we here at Eastern refer to as justice. Before anyone can make rules about contraception, it is imperative that consumers know what is referred to as “contraception” is not always contraceptive.

Many people believe that birth control simply blocks the sperm from reaching the egg, and thus prevents pregnancy. However, it’s quite a bit more complicated than that. The most common birth control pills are varying concentrations of two hormones, estrogen and progesterone. Depending on the point in her menstrual cycle at which a woman takes this pill, it can in fact block ovulation and prevent fertilization altogether. In this case, the birth control is acting as a contraceptive. However, there is no simple way for a woman to know when her body is in this stage of her cycle; therefore, there is no guarantee that the ingested hormones are acting as contraception. If ovulation is not blocked, the estrogen has a negative feedback effect on the hypothalamus, which in turn prevents implantation. If the sperm and egg meet and cannot implant, the free-floating zygote is excreted from the body and an abortion occurs.

Conception is the moment a sperm and an egg together form a human life. I believe that life begins at egg activation, a more defined moment than conception. Embryonic development is a cascade of events, so there is no other reasonable moment in which “it” becomes a person than when that cascade begins, or is “activated.” The body develops from head to toe once this chain of events begins, so to pinpoint a later developmental stage in which one becomes a person wouldn’t make sense.

So what does all of this have to do with the Zubik v. Burwell case? I strongly believe that before any decisions on contraception are made, one needs to have a thorough understanding of what, in fact, contraception is. The “birth control” pill Ella is intended to “prevent pregnancy” up to five days after unprotected sex. It is called an “emergency contraceptive.” This is a completely false claim, for there is no way to prevent egg activation five days after the fact. I don’t think certain birth control methods (except for condoms and other true contraceptives) should be provided by religious nonprofits, because I don’t think they should be administered at all. If there is no way to be certain that a pill is not an abortifacient, it should not be legal, much less given freely to whomever requests it. Some say this claim is based on my religious beliefs and therefore shouldn’t be forced on everyone, and while my faith is the most important foundation of my life, this is rooted in something far simpler–justice. We shouldn’t argue about when life begins, for life is a continuum from the moment of egg activation. We shouldn’t argue about whether employers should provide health insurance that includes birth control, because any birth control method that one cannot know for certain is contraceptive should not be legal; to provide any pill with an outcome of murder is ludicrous.

Sources: The Atlantic, drugs.com, National Center for Biotechnology Information, SCOTUSblog.com

Tuesdays are my busiest days. I feel like I can’t catch a break, and by the time my last class of the day has drawn to an end at 7:00, it takes something truly special to make me want to keep pushing on with my day before finally heading back to my dorm. SAHT is that “something special.”

Students Against Human Trafficking is a club that meets on Tuesday evenings, after the hectic running-arounds of Tuesday have quietly subsided. The stress of the day is replaced instead by a small group of students with a shared passion to set their Tuesday evenings aside and work together to raise awareness of human trafficking. This takes a variety of different forms. Sometimes it looks like a group of sleep-deprived college students running around campus late in the evening, researching and writing out statistics about trafficking on cardboard signs for the campus to wake up and observe throughout the next day. Other times it looks like cans of spray paint being shaken vigorously and used to adorn Eastern’s famous rock with our understanding of “what trafficking is.” It is a club meeting doing devotions together, praying together, and discussing how someone as seemingly powerless as a twenty-year-old could possibly tackle the ferocious, overwhelming monster that is human trafficking.

Eastern University stands for Faith, Reason, and Justice. My involvement in SAHT has given me a deeper understanding of why justice is an integral part of being a Christian in this fallen world. It shows me that the exhaustion of a long day is by no means an excuse for apathy. It shows me that students don’t have to blend into the thousands, but can band together and stand out in doing something that matters. It shows me that action can prove ineffective if awareness is not first raised. It shows me that awareness is turning the numbing statistics into real stories of real people with real pain who need others to come alongside them as a relief from their love-void lives.

Justice became more than just a powerful portion of a slogan once I became involved in SAHT. It became something difficult to strive towards, but empowering to witness emanating from college students so often misunderstood as unmotivated, lukewarm, and indifferent.

On Feminism And The Fight For Racial Equality

If you consider yourself an advocate for equality, you don’t get to pick and choose whom you want that equality for; that defeats the point. You can’t say you long for equality in this world, then only fight for people who look, talk, dress, and live like you. In Erika Sánchez’s article, “How Feminism Continues to Fail Women of Color,” she writes, “Feminism without intersectionality is simply self-serving. Women who fret about climbing the corporate ladder and shattering the class [sic] ceiling, but who are indifferent to the violence, poverty and discrimination that women of color face on a daily basis are looking out for themselves—or at most, trying to protect people just like them.” This is such an important message. Feminism is taking over our culture, and that is such a wonderfully empowering thing. However, feminism means equality for all, not simply equality for those who are heard the loudest and seen the most. The majority always has the power, always has the most prominent voice, and that is the danger. We see feminism almost everywhere now, and while that is a huge step, we are mostly seeing a middle-class white woman’s views on what equality would look like, and we are mostly hearing a white woman speak about injustices she has faced. When I think about feminist celebrities, I immediately think of Taylor Swift, Emma Watson, and Zooey Deschanel, for when they speak, their words are broadcast and effortlessly enter into my world. I know women of color speak out against gender and racial discrimination, so why don’t I hear those words equally as loud or as frequently?

Sánchez shares her own experience talking with “a very accomplished older white woman….While I sympathized with her struggles as a professional woman, she was unwilling to see how my identity as a daughter of Mexican immigrants would pose obstacles for me. I grew exasperated trying to explain myself to her. How could I prove a lifetime of challenges based on both my race and gender?” If we claim to care about hardships women face, we can’t sympathize with them only when it comes to issues related to gender, for she is far more than her gender. That is exactly the message feminists are trying to get across to society: we are more than our gender. So why can’t we acknowledge struggles beyond gender gaps? Would it be so difficult to hear stories from women who have struggled, yes, because they are women, but have faced further struggles still with poverty, discrimination, and violence? Sánchez continues: “The kinds of activism that ignore issues of race and class seek to protect and advance middle- and upper-class white women rather than promoting the well-being of all women.” If, in the support of one gender being equal to another, we are supporting one race over another, have we really gotten anywhere at all?

As a feminist, I long for equality. I long for equal pay, equal opportunity, and equal say. This world I envision is not a world of equal white women, but a world of equal human beings, one where every voice can be heard not in spite of, but empowered by her or his gender, race, social standing, and age. Every experience in this beautiful world is different; therefore, we all have something unique to say. In a time and age of brightly-burning, widely-spreading feminism, instead of only hearing the single voice that Sánchez heard, that of a “very accomplished older white woman,” it would be all the more pleasing to hear an entire chorus of voices representing and celebrating together what it means to be human.

Source: america.aljazeera.com

As terrible as it sounds to admit, I have found that in the midst of suffocating anxiety, Bible verses don’t help me much. When I feel my world is caving in around me, verses that tell me to trust that God has it under control feel like empty promises; in the thick of it, anxiety feels pretty contrary to that, like maybe He’s anywhere but by my side, that perhaps He doesn’t have it all under control. That’s the scary thing about anxiety: it makes everything you thought was real feel fleeting. It makes you feel alone, and it makes God seem very, very distant. James 1:2 calls us to “Count it all joy, my brothers, when you meet trials of various kinds” (ESV). Count it all joy.

Proverbs 3:5-6 promises us that God will make our paths straight if we replace our human understanding with trust in Him. Matthew 6:27 asks, “Can any one of you by worrying add a single hour to your life?” while Romans 8:18 assures that this dreadful pain we feel can’t compare in any way to the joy that is in our future. But when I feel like life is coming at me full force from every direction, reading these verses is not constructive. I don’t read the verses and then stand up, brush my anxiety off and continue with my day, delighted that great joy lingers in my future. Anxiety is debilitating. I know that God knows that, so why on earth does He tell us to “count it all joy”?

In life’s trials, to be a good friend, you must meet people where they are, not show them how far they remain from where they “should” be. You should do the same thing for yourself. If it feels like nobody else is going to be there for you, be there for yourself. You must meet yourself where you are, with information that will comfort you and not fuel your anxiety. I thought I was supposed to get infinite comfort from Bible verses. After all, that’s what happens when you’re a Christian, right? The Bible holds in it the most comforting promises. But I was always either numb to them, or they made me feel angry and broken and lost, because I was showing myself where I thought I needed to be, and seeing how far I’d fallen simply scared me more.

I recently read a description of what anxiety feels like: “The outside world crashes into my consciousness. Even with my eyes shut and my head in my hands, every perception is completely overwhelming. There are entirely too many things happening all at once. Every thought is pervaded by an overwhelming feeling of failure. At the bottom, I can’t see outside the panic, and the panic seems to last for an eternity. But then slowly, very slowly, everything recedes, and I’m left dreading the next attack.”

This description meets me where I am. It reminds me that these feelings of loneliness, of helplessness, of defeat – they’re complete bogus. Reading that someone else feels the way I feel assures me that I am not broken, that I can in fact stand, and that there is a God who has spoken promises sure to fill me with joy.

I believe that the Bible can heal by revealing God’s Word. But I don’t believe that you can simply look up whatever trial you’re facing in the index of your Bible to find the solution. Christ provided His Word for us to live in and live through, not to simply quote. So in order to receive the comfort that God’s Word offers, we must immerse ourselves in it daily and base our lives on it, so when trials hit (and they will hit) we can meet ourselves where we are with Christ’s Word and breathe again, held securely in His loving arms.

Source: buzzfeed.com

On Friday, Jan. 15, Rend Collective rolled onto Eastern’s campus, bringing with them enough contagious exuberance to share with a crowd, enough musicality to make you pay no mind to the rising temperature of the gym or the strangers stepping on your feet, and Irish accents thick enough to leave you with a lilt leaping off of your own tongue well into the evening.

“We were never really concerned with calling ourselves one thing or fitting into a neat little box,” drummer Gareth Gilkeson explains. If there is a box in life, these musicians are nowhere near it, with their homemade instruments and bubbles erupting from the stage. Rend Collective wholly embodies Psalm 33:1: “Sing joyfully to the Lord.”

“We’re a worship band. We want our music to be able to be played by a 15-year-old worship leader in his youth group as much as by a professional team in a church. We just want it to be able to translate. That drives a lot of what we do. It’s a mix of both: just having a good ol’ shindig as well as writing hymns and songs for people in church,” says lead guitarist and vocalist Chris Llewellyn. While sharing their Irish culture with Eastern, they brought an opportunity for our school and community to gather together as family in Christ’s name, at the end of a stressful syllabus week, and worship with all we could muster from within our weary bodies as we danced and sang.

“We’ve always called ourselves a celebration band,” drummer Gilkeson explains. His bandmate, Llewellyn, adds, “We do stupid things and have fun and try to be creative, because those are all aspects of worship as well. But really, when it comes down to it, the simplicity of it all is just left in our songs. It’s right in the core of what we’re about.”

Moments of worship are often concluded with a prayer, and that prayer is sometimes shaken by Christ in such a way it whittles itself down to a mere whispered, barely audible “amen.” This night emulated that in the loveliest of ways. The robust beginning rattled the bleachers and the audience’s bones, but that wasn’t the whole show. Rend Collective knows know how to come together and make noise. However, they showed us that worship does not always have to leave your ears ringing. Through a quiet, simple encore of “In Christ Alone” appropriately paired with their original song, “Simplicity,” a hushed understanding of what it looks like for hundreds to gather in His name settled over us.

In the words of Llewellyn, “We’re really just there as prompters, trying to stir up worship redirect people’s thoughts. We’re trying to call out worship, to create an environment where worship’s possible; to remind people that we’re in the presence of a God who can do literally anything in that space, that there are no restrictions on any time that the Holy Spirit is present. That’s almost your job as a worship leader: just reminding people where they are, and then people just instinctively respond to that. It’s not a very hard job, honestly. The Holy Spirit does it all. We just play the music.”

The most beautiful aspect of this evening with Rend Collective was that it reminded us where we should be. It wasn’t a life-altering event – it was a bunch of college students spending their Friday night praising in a gym. God can do literally anything in a space where two, or where hundreds, are gathered in His name, and this was just a perfect example of that truth.

There is a word in the Spanish language that has been deemed one of the most difficult to translate into English: “duende.” It loosely translates to describe the profound feeling of awe during an artful experience. Sometimes we need to reach beyond our own language to fully communicate an emotion. Maybe there aren’t enough — or perhaps too many — English words to be able to accurately explain an experience. But if I had to describe as precisely as I could my interpretation of EU music major Mary Consoli’s experience with the original Italian cantata, “Hildegard Von Bingen: Bambina Mistica” I would choose the word “duende.”

Before the lengthy audition process had begun, Mary thought, “This is too dramatic, and it hasn’t even started yet.” She found out about auditions from a friend of hers, and sent in a video to be screened for the first of four steps in the audition process. The day of the audition seemed suited for a movie: a huge snowstorm had blown in and almost ceased the adventure before it had begun. Obstacle after obstacle got in her way of auditioning, but sometimes life has a way of working out despite everything seemingly going awry. Mary got the email that she had gotten a callback while on the bus traveling with Eastern’s University Choir: “I was using my cell phone data and everything. It was so serious.” As the auditions continued, the competitors dwindled. What began almost one hundred participants waned to thirty, and finally to the ten who would perform together.

The more Mary shared, the more meaningful this whole story became to me. She received a phone call one evening while at home with her family informing her that they “saw something – some spark,” and with that, her typical Italian family celebrated in the typical Italian way: affection and emotion.

When she talked about the music she sang, Mary described it as a reverse-Gregorian chant; the songs had no key or time signature. It consisted of Latin chants as well as classical Italian. The chanting was tranquilly monophonic with no extreme dynamics. “The music was both melodically and rhythmically challenging, and Karen’s (artistic, musical, and stage director) technique was very different, very original. It was peaceful – relaxing in a natural way. Everybody seemed to have the same experience.” Mary remembered.

The rehearsal time before going to Italy was limited. The entire group met once for the first time in May, then three times in the week before they left, so they had the majority of the summer to work through the challenges of the music on their own. Once in Italy, the rehearsals increased drastically. Each day the performers rehearsed for eight to ten hours, which left them all physically and mentally exhausted. They performed in small, intimate churches, as well as twice in Assisi. One of the places was Santa Maria degli Angeli Basilica, in front of The Proziuncola, which is the cell in which Saint Francis died. “We were walking where history was made,” Mary marveled.

The ages of the performers ranged from ten to twenty-one, so Mary was the eldest of the group, and therefore got the privilege of sharing what she knew with those younger than her. Being raised Catholic and with strong Italian culture in her own life, Mary is knowledgeable about the thick, potent history of Italy. When some of the younger girls in the group weren’t aware of the importance of the places where they performed, Mary was able to share the significant stories from years ago.

When the group left Italy, they came to perform in America, for the American premiere on November 8th, just about a month ago. She described how something altered when the audience was no longer Italian-speaking. The words of the music were no longer understood, but that allowed for the music to speak even more clearly. “It was like our little secret,” Mary remembered about performing for the English-speaking audience. “We were able to bring Italian culture to America, which was such a beautiful experience. You don’t realize how surrounded you are by a culture until you are removed from it, until you go from standing on the very ruins of what Saint Francis built to standing in the front of a church in America.”

While language can create a barrier, music forms the barrier into a bridge, and allows, as “Hildegard Von Bingen: Bambina Mistica” further proved, that where there is art, there is “duende.”

There is influencing, overcoming power in faith. Our faith places a hue over our lives, coloring our decisions the tinge of what we hold closest to our hearts and of what we have rooted tightest in our minds. A well-known quote by C.S. Lewis reads: “I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it, I see everything else.” Of course, faith does not refer to only Christianity, but I am going to hone in on faith in that sense. Be it fine art, photography, music, cinema, theater, dance or any other medium, art sings a domineering song in our culture today, and where there is passion–the area in which one drowns his soul–there is faith of some form. To get a better understanding of how faith influences Eastern students’ views and opinions of art as a whole, I asked around. Following are what I found in two of the students that I asked.

The first student responded directly, “My faith basically sums up the way in which I believe and ultimately determines the strength or depth of my relationship with God.” She added that she listens mainly to “Christian music” and finds encouragement in knowing that those who wrote these songs are, like her, followers of Christ, and are therefore quite possibly going through the same challenges that she has faced or will later face. It is in the message they portray that she hears and is encouraged: “We have a God who desires to have a personal relationship with all of us. No matter what happens in life, we are not forgotten…to hear various Christian artists affirm this truth strengthens me in my faith because I know I am not the only one who believes this.”

Another of Eastern’s own responded just as passionately: “I believe that playing music is the most beautiful feat my body is capable of.” She spoke of music being a spiritual connection and viaduct for worship. Of fine art, she elaborated that artistic ability reflects God’s fearful and wonderful creation. “God gave the artist a gift, and I think acknowledging that in the presence of a painting is absolutely an influence of faith.”

When I think of art as a spiritually influenced aspect of life, I immediately think of Mark Rothko, an American abstract expressionist painter. His paintings are immense, some being over seven feet tall. He paints on a large scale to evoke feelings–to involve the observer in a raw, real way. While some believe his paintings are so large with the goal being to instill overwhelming feelings, Rothko corrects that the immensity of his art is  intended to envelop the viewer–not to be “grandiose,” but “intimate and human.”

In light of this, when we claim Christianity as an influence on our lives, we should think of ourselves as the viewer of Rothko’s paintings. The vastness of what is in front of us should not overwhelm, but rather overflow. Our faith involves both who we are and who our God is. When we find that our lifestyles aren’t aligned with our faith, we need to let the immensity of our faith overflow into our actions, our words, our thoughts.

Think of it this way–an “alloy” is a combination of two different metals to form a new creation. This new mixture can be viewed in one of two ways: as significantly decreased in value due to the mixing of the metals, or as stronger, more durable, more usable, which is usually the reasoning behind the alloy. Similarly, we can view our faith in two different ways. We can compare our actions to our faith and see ourselves as a decreased value of what we are claiming to be, or we can see the power behind combining Christ’s word with our deeds and live a life in fear of God, for “the fear of the Lord is the beginning of wisdom, and knowledge of the Holy One is understanding.” (Proverbs 9:10 NIV). Though one of Rothko’s paintings could be seen as simply a huge canvas of blaring red, there is beauty beyond the color. There is enchantment to be found in the layering of hues, in the sheer size, in the true form of absoluteness experienced while standing before it.

While is it easy to say that faith influences our opinions, I think it is important to note, what is faith’s role in this influence? Does it intimidate us? We are not to be scared of our faith and its power over how we live our lives. We are to stand in awe of our God and (to repeat Rothko once again) be enveloped in an intimate and human way. Art is beautiful, and it is an absolute gift from God.

There doesn’t need to be a distinction between “Christian art” and “non-Christian art.” Rather, there is beauty present in some areas of life, and very much absent in others. James 1:17 reads,“Every good and perfect gift is from above, coming down from the Father.” Whether or not worship was intended by the artist, I believe anything that is beautiful can be an opportunity to worship. How dull would life be if it was devoid of art? We need to remember once in a while to embrace this resplendence and allow our faith to embellish this God-given experience as we seize art as a grand platform for worship.

A few weeks ago, on a cold, rainy day, I had a conversation in the Dining Commons that I can’t get out of my mind, though on the surface it was about scant more than the weather. As I sat down, rather damp from my venture through the storm, I griped, “I love the rain, but not when it’s this cold out. I guess you could say it’s a conditional sort of love,” to which my friend replied, “Then it’s not love.” I didn’t think much of this at the time, for I was on the soggy side of life, and it was rambunctious in the Dining Commons as it often is at noon, and ponderings of love don’t thrive well in soggy, rambunctious environments. But later, the more I thought about it, the more I realized how many aspects of life I, as well as others, place conditions on. We set standards for our love, as if some deserve it and some don’t, and we place ourselves as the judge behind the desk with the wooden gavel held tightly in our hand. We treat our love as something expendable, something we may one day run out of, and we hoard it so as not to be wasteful.

Blogger Micah J. Murray touches on a similar issue in his post “Why I Can’t Say Love the Sinner/Hate the Sin Anymore.” He discusses how this commonly-used phrase “love the sinner, hate the sin” is more harmful than one initially realizes, for it places labels on others instead of on self, thus creating an hierarchy of the one actively “loving” the sinner, and the one being labeled “sinner.” It casts the one saying the phrase as “lover,” completely ignoring their status as a sinner, and the one being loved as “sinner.” Murray writes that he can’t stand when certain groups, particularly the LGBTQ community, are referred to as “them” and welcomed into the church with condescendingly open, “loving” arms, as they are loved as marred “sinners” and not as brothers and sisters.

Murray emphasizes in his post, “They say Jesus was a friend of sinners, but he didn’t describe himself that way.” This is important. Jesus didn’t preach about loving “them”; he lived a life of loving all. He didn’t sit at a table with the tax collectors and tell them that they were thieves but that he loved them anyway, in spite of his hatred for their sins. In fact, in Luke 19:9-10, Jesus sat at Zacchaeus’ table and said, “‘Today salvation has come to this house, because this man, too, is a son of Abraham. For the Son of Man came to seek and to save the lost’” (NIV). Every time we stand on our soapbox and say, “I’m loving the sinner, but hating the sin,” we are, intentionally or not, failing to include ourselves in the group of “sinners.” We are failing to include the “this man, too” part of what Jesus said. Like Murray writes, we can throw in as many disclaimers as we so desire, claiming that “all sinners are welcome here,” but saying that doesn’t make the reality of our exclusive labeling any less afflictive. If we as a church boldly proclaim a lifestyle of a love restlessly writhing to love like Jesus loved, we cannot set boundaries, conditions or standards on said love. Whether we look our brother or sister in the eye and see sin, we must live by Luke 6:42 and acknowledge that the Church is full of sinners with planks skewing how they see the specks of sin in others’ eyes. (“How can you say to your brother, ‘Brother, let me take the speck out of your eye,’ when you yourself fail to see the plank in your own eye? You hypocrite, first take the plank out of your eye, and then you will see clearly to remove the speck from your brother’s eye’” [NIV].)

I believe that as one family living under, for and in speculation of Christ, we are called to love. Love through differences, through disagreements, through heartache, through overflowing joy. Love when your brother or sister is hurt, love even when you feel you can’t stand. Love when you wake up before the sun for a duty-filled day, and love when the stress is almost too much to handle. 1 John 4:8 reads, “Anyone who does not love does not know God, because God is love” (ESV). How does this reflect on the church that will not love its gay brother or sister? “Love the sinner, hate the sin” is not love; it is condescension. Of course we have theological differences. Is homosexuality a sin? Is it dependent on the culture? Should the Bible be taken literally, or do its meanings change in different contexts?

I don’t know. You don’t know. I have opinions of my own, but they’re just that–they’re my own. Every mind in the world has different opinions. Though frustrating to the point of rage at times, this reality–this difference–is quite beautiful. No two people have the same opinion on every issue, so while discussing opinions is essential and more valuable than words are able to elucidate, opinions will remain opinions. We can try our very hardest with no avail to draw others’ opinions to look more like ours, or we can acknowledge the truth that we all crave to be loved, and start from there.

It is not our role as a brother or sister in Christ to judge. We are to hold each other accountable, and we are to walk alongside each other in times of tribulation, but as James 4:12 reads, “There is only one lawgiver and judge, he who is able to save and to destroy. But who are you to judge your neighbor?” (ESV). Murray writes in his post about the woman caught in adultery and dragged to Jesus’ feet: “She was defined by a moment.” If we were all defined by our lowest moment, or even by a moment we were less than proud of, not one head would resist slack to falling in shame.

Why do we believe that love must be bound to conditions? For the same reason I defiled the word “love” by smothering it with requirements on that rainy day: sometimes we forget that love is more potent than affection, more abundant than eternity and more vital than life itself, because sometimes we forget that love is what held our best friend to the Cross. And sometimes, amidst our forgetfulness, our love fails to resemble love at all anymore.

It’s a brisk morning. Your emotions are still raw from slumber, and just enough heartbreak brims your consciousness to keep you human. The first sip of coffee passes your lips – its heat almost scalds you but instead warms you just to contentment; its potency is bitter but is also rich and aromatic, the bitterness is familiar, enlivening. This steaming, poignant morning guest shouldn’t enhance the groggy dawn, but it does. This is jazz.

Jazz is the pulse of a thunderstorm, the sibilation of a city at night. Jazz is everything it shouldn’t be, in the most dazzling way. It shouldn’t seem as beautiful as it does – its irregular syncopations shouldn’t get our feet tapping, and the improvisation shouldn’t sound like we’re finally hearing the cadence which words have masked in language all along. Musician, bandleader, and composer Miles Davis’ simple, transparent piano lines played by Bill Evans shouldn’t be our favorite part of pieces, and Clark Terry’s trumpet solos shouldn’t make our lungs feel empty and our eyes feel full. Where classical music is valued based on precision and personal conduct of interpretation, jazz is the fabrication of collaboration. Jazz grants one the rare opportunity to take a composer’s masterpiece and, through alteration of the melodies, harmonies, and time signatures, make it an honest reflection of this performer/performer’s intimacy with solely the composition itself.

The lyricist of the musical “The Glorious Ones,” Lynn Ahrens, wrote: “For what is this life but the beauty of improvisation?” Absolute beauty lurks in the unknown, in the yet-to-be-played, yet-to-be-heard. Jazz has proved this time and time again through its centuries of existence – through the fleeting seconds of notes which dance, stomp, and twirl on top of chord progressions, likely never to be heard in such a way again. The lovely riddle behind jazz improvisation is that within the stately chords put in place prior exists spans of opportunity greater than one could envision.

Though the most defining feature of jazz, improvisation is not the only noteworthy trait. Jazz was born from the blues, which derived primarily from hymns and field songs. Every root that jazz has is tightly secured in passion and emotion. Jazz was primarily dance music, but when improvisation made its way to the forefront, different styles began to take the stage. Louis Armstrong took the chaotic jazz style of Dixieland and morphed it into individual solos which could be appreciated on a more intentional level. The savory style of cool jazz appeared, as did rapid, breathlessly rhythmic bebop, earthy soul jazz and the brash, dissatisfied nature of free jazz. Every style remains unique to its own sound but also strongly grounded in blues.

Like everything especially exquisite in life, jazz isn’t about happiness. Jazz has no inhibitions when wailing over love lost, when screaming at the days that don’t seem long enough to encapsulate all the pain. Jazz’s laughter will create deep, lasting wrinkles. Its anger will linger on the strings of the bass. The sincerity of jazz doesn’t mask what is scolded to be kept hidden; it instead declares humanization, hits every note to the core of the soul, and paints reality in brighter, grander colors. So let it be said with the most intricate simplicity: this is jazz.

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