Many people hold the belief that creativity is a God-given gift, and while I do agree, I also think that everyone has some sort of creative lens in their mind that just needs to be found and focused to suit themselves. You may not have found it yet, but everyone is capable of creativity in one way or another. From the casual knitting of socks to the production of music or even the painting of masterpieces, different outlets and styles emerge which help to distinguish one artist from another. No matter how insignificant your contribution may seem, I urge you to find a creative outlet that fits your personality and run with it. It will not only help to bolster your creative spirit but will help you to grow and learn about yourself and the world along the way.

      For me, this creative outlet comes in the form of photography. Growing up I always enjoyed art and considered myself a creative person, but I often found myself wishing I was more talented to put my creativity to use. For example, I could always think of something cool to draw, but I struggled with the skill it takes to put it down on paper. This is why I have found photography and graphic design to suit my specific skill set and perspective so well; they give me the tools to capture or create what I see in my mind. However, I did not explore the medium of photography until I was in high school. With access to a camera and direction from my wonderful film and digital photography instructors, I found I could finally express the things I could not before. As I began to take more and more pictures (of things other than my fluffy cats), I found  that photography brings with it an entirely new perspective to your experience of everyday life. I’ve found  that great photography seeks to naturally capture the fine details of everyday life, so I constantly search for objects, people or moments that may make a great photograph. In a sense, your view of the world begins to be seen through a lens.

      As a kid, and still to this day, I have found creative expression through skateboarding and snowboarding.  There’s a sense of freedom when you are on a board that cannot be rivaled, a better escape than any drug may provide. It acts as an outlet of expression, with different forms and styles. These little nuances of style and creativity are what define a skateboarder or snowboarder and set them apart, much like any other art form. Skateboarding and snowboarding taught me to get back up and try again when the going gets tough and, like photography, has helped me out of hard places. The similarities between these sports and photography do not end here. When skateboarding, you begin to look at the environment and urban landscape in a completely different way. You look for lines or spots to perform tricks, even when you are not on the board. This change of perspective toward the city streets parallels my focused view of the world as a photographer. I believe that by growing up always scanning for sweet skate spots or awesome lines to snowboard in the winter, I have also developed and strengthened my creative vision in photography. It has given me the motivation to persist when the going gets tough and has allowed me a healthy outlet to express myself, meet others with similar interests and remain confident both on and off the board.

      Much like painting a picture, accurately capturing a moment in the exact style you desire can be a difficult task. Many factors play a significant role in making an image impactful, such as the lighting, perspective, angle and subject. It takes training and dedication to recognize when all of these characteristics align, but once achieved, your photography will drastically improve. These moments are fleeting, and it is hard to always be prepared. The invention of mobile phone cameras of decent quality has allowed me to capture some of my favorite images in situations in which a DSLR is a burden. For example, during my time living and going to school in the city, I took an image of a young boy playing in the water from an open fire hydrant along a dilapidated side street in Kensington. I recognized the moment and knew all of the ingredients were there. The sun silhouetting the boy and illuminating the water, his sense of freedom and hope in an area infested with drugs and violence: it all seemed to contribute to a wonderful image. So I asked the boy to throw his ball into the air, and I snapped a picture on my phone. To this day, it is one of my favorite images I have taken, not for its quality (or lack thereof) but for its meaning. It shows inspiration and courage in an otherwise hopeless environment. The image gave me the inspiration to clean up my act during a time when I felt just as hopeless as the surrounding area in which I found myself. I thought, if a little boy can be happy and hopeful in the worst of circumstances, I, too, can stay positive and change my ways. It took time and effort on my part, as I’m sure it will for the little boy to escape his surroundings, but it turns out I was right.

      Without creative outlets such as photography and skateboarding, I would not be where I am today, and I am thankful for the freedom and unique perspectives these hobbies have provided. I urge everyone to seek a creative outlet to express your thoughts and feelings in an abstract way. Even if you claim you don’t have an artistic bone in your body and neither photography or sports is your cup of tea, there are countless other ways to express yourself. You are bound to find something that fits your personality and vision. Embrace any and all creative spirits you find, and you will begin to appreciate the finer moments in life and shrug off the difficult times. Art allows you to explore yourself and the surrounding world, and in turn to interpret and display your findings in a comprehensive manner for others to see. Pick up a camera, paint brush or your dance shoes, and express yourself.

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     Philadelphia Flyers fans were quick to tear into Head Coach Dave Hakstol after he posted a tweet last week in support of the U.S. Women’s Hockey Team and their fight for equal pay. One fan replied that they “support [Hakstol’s] search for a college coaching job next year,” and another wrote slyly, “Less tweeting, more making the playoffs please.”

      However harsh these comments may be, they hold truth as Flyers fans see melt before them the hope of clinching the playoffs. All snide remarks aside, the U.S. Women’s Team and Hakstol have a point. Both men and women are working day in and day out to perfect their sport and to perform at their utmost level, but women are paid significantly less. This March in Philadelphia, the Women’s Team met USA Hockey officials, the sport’s national governing body from youth to professional levels, to discuss options for equal pay. Team captain Meghan Duggan says there were “great, productive discussions” during their meetings with USA Hockey last month, and she also states that their “goal remains to have the players we previously announced as the U.S. Women’s National Team be the group that represents our country at the upcoming 2017 IIHF Women’s World Championship.” However, the tournament ran from March 31 through April 7, and no resolution has been met. In more positive news, the team has won all four games, with three shutouts and an 11-0 blowout against Germany, going into the Friday final against Canada.

      While the hockey side of this dispute is ongoing, it is great to see Delaware Valley soccer star Carli Lloyd finally successful in her yearlong pursuit to reduce pay disparity for the Women’s National Team. An agreement was reached between the players and the U.S. Soccer Federation that will raise base pay and perks for the team. It will remain in effect until 2021, covering players for the 2019 World Cup to be held in France and the 2020 Tokyo Olympics.

      This change for the better is in response to extremely unequal pay and prize money in tournaments such as the World Cup. The prize for winning the Women’s World Cup in 2015 was $2 million, while the prize for losing in the first round of the 2014 Men’s World Cup was a whopping $8 million. As a result of the immense scale and success of men’s soccer, it is great to see the investment in the female side of the sport with the recent raise in pay for our Women’s National Team.

      While soccer has seen the beginnings of success in bridging the pay gap between men and women athletes, smaller sports with less viewership struggle to make similar changes. However, it is inexplicable that some of the men’s prize pool cannot be allocated toward the women’s, especially when many male athletes receive more in endorsements after the fact than women. For example, the men’s golf PGA Tour awarded $340 million to the champion in 2015, five times more than the women’s LPGA that year. In basketball the disparity is even larger: the maximum salary in the NBA is $16.407 million, and the WNBA maximum salary is capped at only $109,500, while the minimum is just over $39,000. Meanwhile, the four major tennis events have been offering equal pay since the U.S. Open took the first step and offered an equal payout in 1973. The other tournaments eventually followed suit in providing equal prize money, but now male tennis athletes feel women have used the men’s success to their favor. Novak Djokovic says of the subject: “We have much more spectators on the men’s tennis matches. I think that’s one of the reasons why maybe we should get awarded more.”

      However you may feel about the subject, we can all agree that our athletes, both men and women, spend each and every moment working toward physical perfection in their sports, and they should be rewarded for their dedication. Even if the pay is not equal, female professional athletes should not have to settle for entry-level wages when performing at such a high level. We must respect our athletes in the hope of inspiring the next generation to push the boundaries of our sports.

      Sources: CBS News, Philadelphia Inquirer, World Economic Forum

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      Our Eastern University 2014 Teacher of the Year, Dr. Patricia Reger, has been named the dean of the College of Health and Social Sciences. Due to reorganization within the school, Reger was initially named interim dean of the program in 2016. However, on March 20, 2017 it was announced that she will become the dean of the college, effective July 1.

      Reger is in her 16th year of teaching and has been at Eastern since 2006. Prior to working at Eastern, she taught at Temple University, where she graduated with a M.S. in Orthopedic Physical Therapy and a Ph.D. in Kinesiology.

      Reger proudly shares her plans with me for the upcoming school year, explaining ways in which she can improve an already distinct and strong program. Reger says the first step on her list is to “ensure academic excellence and an optimal student experience by offering programs that prepare our students to be effective Christian leaders in their discipline.” By reviewing the programs offered within Eastern’s College of Health and Social Sciences, she hopes to bolster an already strong assortment of classes.

      Her second and perhaps most important goal is to “create external partnerships and relationships that will not only enhance the undergraduate and graduate educational experience but also increase research opportunities, strengthen our resources and advance our culture of social justice.” These outside relationships between students, faculty and other intellectuals are the building blocks for creating strong learning networks. Reger plans to build these networks within her program to ensure success of students beyond graduation. Another method to ensure student success is to “nurture an environment of commitment, community and engagement for faculty, staff and students.”

      While Reger works tirelessly to improve the already-great College of Health and Social Sciences, she also hopes to continue teaching at least one class per semester, “as long as the folks in kinesiology let me.” Reger has previously taught in both exercise science and athletic training programs for the university and is set to teach exercise physiology in the coming fall semester to students of both programs.

      Her love for teaching, along with her commitment to these programs, really shines through as she explains that “it is important for a dean to keep his/her finger on the pulse of what is happening with the students and faculty, and teaching is a great way to do that.”

      Source: Patricia Reger, eastern.edu

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      Eastern University will be holding their annual Spring Banquet on April 1 at the University of Pennsylvania Museum of Archaeology and Anthropology for the first time. The Spring Banquet is a formal event open to all traditional undergraduate Eastern University students, offering a night of fun, food and dance inside one of the city’s most prized museums.

      By combining the studies of archaeology and anthropology, the museum aims to bring together a variety of objects from humanity’s past and present in order to shed light and understanding upon our history and the lives our ancestors led. This work has allowed the public to enjoy the wonders of societies long lost to time for the past 130 years. Making this museum stand out above the rest are the students, staff and curators’ steadfast dedication to research. A large portion of the relics that are in possession by UPenn were acquired and excavated through the work of many students and staff of the museum and University. With this devotion to the wonderful studies they do, the museum is now considered the largest university-led museum in the United States, featuring more than one million unique artifacts dating back as far as 10,000 years ago.

      The vast variety of exhibits on display at the museum is a source of large pride for the curators and volunteers working at the museum. Many employees have spent their lives studying a wide variety of societies, time periods and locations in order to expand the public’s understanding of the past so they may pass this knowledge to future generations. Currently the museum is displaying a variety of exhibitions, from displays featuring the churches of Constantinople to an exhibit focused on the evolution of modern humans. With this radical contrast in subject matter, it is clear the museum is objective in their work and devoted to providing as much information to the public on as wide a variety of topics as possible.

      Other exhibits currently on display include an exploration of Native American history, magic in the Ancient World, Ancient Egyptian times and African culture. Another groundbreaking exhibit at the museum is an artifact lab in which visitors may view scientists and conservators as they study, preserve and conserve artifacts from a variety of cultures and time periods. However, this display is currently closed; it will be reopened on April 6.

      One of the museum’s most prized possessions is their 13-ton granite sphinx, depicting the body of a lion and the head of a man. It was carved in memory of King Ramses II who lived from 1279 to 1213 B.C. and is often considered one of the greatest and most celebrated of the Ancient Egyptian pharaohs. The monument to his life was excavated in Memphis, Egypt in 1913 and brought to UPenn’s Museum of Archaeology and Anthropology for display.

      While viewing a few of the museum’s current displays and their continued efforts to research and study civilizations and societies of the past and present, it is clear that the museum will offer an excellent source of information and discovery for generations to come.  Eastern University students are encouraged to quench their curiosity and explore the decadent halls and galleries that the University of Pennsylvania has provided in over a century’s worth of work. All in all, the museum will offer a wonderful venue for this year’s Spring Banquet; amidst relics of the past you may enjoy a wonderful night in the city.

      The Museum of Archaeology and Anthropology is located less than 20 miles east of Eastern’s main campus and offers $10 tickets to full-time college students.  Even if you cannot make this year’s Spring Banquet, you are highly encouraged to discover the wonderful sights this museum has to offer.

        Source: penn.museum

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      In the years immediately following the American Civil War, during the onset of the Industrial Revolution and urbanization, Americans sought out art to once again bring a sense of beauty and expression to their lives. A select portion of these artists bypassed popular oil-based paints in favor of watercolor paints for their unique aesthetics. They also desired to overcome the challenges of working in this medium. Their artwork was often overlooked, as many associated watercolors with that of a woman’s pastime or child’s play.

      However, this dedicated group of individuals came together in New York City on Dec. 5, 1866 to form the American Watercolor Society (AWS), an organization of artists motivated to spread the beautiful messages found in their strokes. The AWS’ organization of the 1866 watercolor exhibition in New York City brought this emerging style of art into the public spotlight, which shined bright in American art history through the 1920s, and some would argue that it continues to this day. By the 1920s, watercolor painting was considered a staple in America’s art scene, the stigma associated with it left far behind with memories of the war and slavery. Every year since their first exhibition, the AWS has sought to celebrate the rich history found in the work of many watercolorists and spread the medium to the general public.

      Marking the 150th anniversary of the AWS’ first exhibition, the Philadelphia Museum of Art is currently displaying an exhibit titled “American Watercolor in the Age of Homer and Sargent” to the public through May 14. This display of more than 175 pieces by various American artists has been sourced from public and private collections across the country, a rare chance to see many of these works and their inspirations side by side. Artists Winslow Homer and John Singer Sargent are considered pioneers of the watercolor movement, and 40 of their pieces are being shown in the exhibit, as well as work by many of the other great artists they inspired. Homer was a coveted landscape artist and Sargent a leading portrait painter of his day; each drew from their background to form a unique approach to working with watercolors. Other featured artists include Thomas Eakins, Thomas Moran, John La Farge and Edwin Austin Abbey—to name a few of the many prominent or obscure artists you may see during your visit.

      If you visit the museum to see these wonderful pieces of art, keep in mind the underestimated difficulty in creating such detailed and stunning images through the use of watercolors. The use of water pigmented with metallic flakes on paper allows for a surreal and splendid feel to an artist’s work, but this desirable effect is hard to achieve as one missed stroke of the brush may ruin an artist’s work. Once the pigment absorbs into the paper, an artist cannot simply paint over another color to fix a mistake, as the two will bleed together and form different colors. However, with precise attention to detail, artists have found ways to take advantage of these properties of the medium, creating the masterpieces that are currently on display today.

      Another issue artists and curators encounter when working with this medium is the degradation of the paper and pigments used in these pieces, particularly in the older paintings from the 19th century. To combat this, the entire gallery will be illuminated by dimmer lights than the rest of the museum, because each minute of exposure to light will slowly fade the paintings. For two particularly delicate pieces, Eakins’ 1873 painting “John Biglin in a Single Scull” and Abbey’s 1882 piece “The Sisters,” curtains will be used to protect each piece from light while not being viewed. With the sensitivity of each of these paintings, many of these pieces are hardly viewed by the public, let alone all in one location.

      Any fine arts lover or casual appreciator should not pass up this exhibit for its rarity and historic significance to the local and national art scene of the late 19th century and early 20th century. Not only will the 150th-annual AWS exhibit be taking place, many other exhibits will be on display throughout the museum. Under 20 miles east of Eastern University’s St. Davids campus, it is easily accessible by train and car, and students with a student ID will receive discounted admission to the museum. Students are encouraged to experience this one-of-a-kind display of America’s greatest watercolor paintings.

      Sources: Courier-Post, MetroWest Daily News

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      Ever since we began expressing ourselves through creative means, artists have been using these platforms to provide social commentary or to make a statement. While it has never been the goal of every artist to express a political or social idea through their art, it has been fundamental in the propagation and longevity of art in modern society. Furthermore, today’s technology allows artists the means to spread their messages across a much wider audience, giving them the capability to make an impact through their brushstrokes or song lyrics. While all artists seek to capture some aspect of the world’s natural beauty or share an individual experience within it, oftentimes artists produce their work in reaction to a specific event, ideology, cause or injustice. These artists use their creative avenues in order to challenge an idea or spread awareness.

      Oftentimes, these statements can be taken too far as they are political in nature and aim to incite a reaction among those that either agree or disagree.  However, many times these statements provide the push the public needs to incite action and change. For example, Pablo Picasso’s 1937 oil-on-canvas painting “Guernica” is a response to the bombing of the Spanish Basque town of the same name by Nazi and Italian airplanes. It displays the violent consequences of modern warfare, and it can be argued that this painting allowed the public access to the atrocities committed in Europe at this time, further facilitating the onset of World War II. Picasso’s representation of the destruction in Guernica is a classic example of the impact a simple painting or art piece can have.

      Artistic representations showcasing messages or ideas are not just present in the traditional sense of art. Substantial ideas can be spread through various creative channels; one of the thriving forms of contemporary social commentary is street art, or graffiti art. This exposure is due to the public nature of street art.  You no longer have to go to an art exhibit in order to receive the artist’s message; you may see it on your drive from work or while walking to the store. The most prominent and controversial street artist in today’s media is an anonymous London-based artist working under the name “Banksy.” He has pioneered the use of sprawling urban landscapes as canvases. He uses these concrete canvases to speak to the social and political climates of our times.

      With street art, it is not just the image that evokes a reaction, but also the setting of the art piece. Artwork displayed in controversial places that depict controversial images garner a lot of media attention. Banksy knows this and takes full advantage of it. Israel’s West Bank barrier, which separates Palestinian territories from Israel, segregates thousands of people from their families and farmlands. As a means of protest, Banksy devised a plan to paint multiple pieces that portray the implications of building these massive borders that separate thousands of people from their livelihood and families. Banksy uses symbolic imagery throughout his work to showcase corruption and conflict, as well as to raise awareness for other social issues. His work has sparked controversy across the globe, but many feel he pushes an agreeable narrative through his work.

      In what many would agree is an attempt at social commentary gone too far, members of the Russian protest punk rock band P—- Riot have spurred much controversy after their illegal 2012 performance inside Moscow’s Cathedral of Christ the Savior. The performance was in protest of the Orthodox Church leaders’ support of Vladimir Putin during his election campaigns. Three of the band’s members were sentenced to two years on charges of “hooliganism motivated by religious hatred.” While many may agree with the group’s support of feminism and their outspoken opinions on the Russian government, the band’s actions may have crossed boundaries that should not be crossed in regard to using art as a means of protest.

      Artists from a wide spectrum of art forms make use of their platforms in order to spread ideas to their audiences. The onset of the Digital Age has only worked to facilitate the ease with which artists can spread their artwork and, thus, their messages. While many artists do not take advantage of their large audiences to comment on society, others have embraced their celebrity status to raise awareness of positive movements. In his acceptance speech at the 2017 Brit Awards, Matt Healy of British rock band The 1975 urged other artists not “to stay in your lane” and to speak out about social issues that may not necessarily be relevant in their lives. It is clear our perspectives can be shaped through art and can be used to promote a movement or speak against an issue. As artists realize this and make use of the Internet to spread their messages, our society is becoming more aware of the issues that plague our world.

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      If you are among the many Americans who have embraced the ease of online shopping, you may be unintentionally adding to the decline of brick-and-mortar retail stores across the nation’s malls and shopping centers. Many department stores have announced the closing of numerous storefront locations, leaving alarming implications for the shopping malls that previously held their stores.

      Macy’s announced in August 2016 that it would be shutting the doors of 100 of their 730 locations in hopes of increasing revenue by focusing on their higher-performing stores. According to the Wall Street Journal, this has already had a profound effect on Fort Steuben Mall in Ohio, which foreclosed in May 2016 and is fighting to keep afloat in the midst of both Macy’s and Sears shutting down business in early 2017. Other department store giants such as JCPenney and Kmart also have revealed plans to shut down retail sites. Sears Holdings informed their employees on Jan. 4 of their intention to cease operations of 150 combined Sears and Kmart locations. This follows a rough quarter for the company, whose revenue dropped 13 percent from this time last year according to Business Insider. These mass closures of retail stores across the nation have left thousands without jobs, as Macy’s recently let go over 10,000 employees, leaving many malls to cope with the loss of their largest stores.

      The greater Philadelphia area is not immune to this shift away from physical storefronts, with many department stores shutting down this year after a poor holiday sales season. Macy’s stated their sales for the months of November and December were down 2.1 percent compared to last year, so it comes as no surprise that four locations in our area will be closed down this year, including Macy’s stores in Voorhees and Moorestown, New Jersey, along with two more emptying their shelves in Bensalem and Plymouth Meeting, Pennsylvania. This will displace 347 employees, according to 6ABC. Similarly, of the 107 Kmart stores that are to be shut down, six are in our state, including a Lancaster location, which will be vacant by April. If this trend of poor sales continues, we may see more closures of large and small businesses shutting down closer to home.

      If these closures have not already had enough impact, many smaller locations left within these malls are struggling to bring in customers that were once attracted by large department stores. For example, mall-based retailer The Limited declared they would close all 250 stores the weekend of Jan. 8, stating on their website, “This isn’t goodbye.  The styles you love are still available online–We’re just a quick click away 24 hours a day.” With the lack of larger stores to draw in the masses and the ever-growing allure of online shopping, the move from physical to virtual storefronts has seen the steady decline in the popularity of shopping malls and the retail stores within. By selling products over the Internet, companies are able to avoid much of the overhead costs included in running a large storefront. Despite the ever-increasing generation of exclusive online shoppers, a Macy’s spokesperson says, “We continue to experience declining traffic in our stores where the majority of our business is still transacted.” Perhaps the issue is not with a lack of shoppers, but an outdated sales platform that does not cater toward the tech-savvy generation that generally shops with a specific item in mind and is willing to hunt for bargains. With this mindset, many shoppers find traditional department stores unsuitable for their shopping needs, preferring the near endless options of websites such as Amazon.

      The fate of many of America’s malls may seem uncertain; however, it is clear the retail landscape is changing, and traditional department stores must innovate in order to keep up with their virtual competition. Many that grew up going to shopping malls and buying their clothing at department stores may feel a sense of bitter nostalgia at the sight of all of these closings, yet another generation may see it as an inevitable and insignificant loss compared to the shopping options online. Will the ease of ordering a pair of shoes without getting on your feet outweigh the ability to compare and try on each pair? Are our malls going to the wayside as we await our packages to arrive? One thing is for certain: America’s retail climate is changing, for better or for worse.

      Sources: 6ABC, Business Insider, clark.com, Philadelphia Magazine, The Wall Street Journal

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      Eastern University’s Office of Institutional Planning, Research and Assessment is currently administering the National Survey of Student Engagement (NSSE) to first-year and senior undergraduate students. The survey will be available to take online through June 1 for eligible Eastern students. Results of the survey will be compiled over the summer and spread throughout campus during the fall 2017 semester.

      The NSSE is a self-funded organization within the Center for Postsecondary Research at Indiana University of Bloomington that aims to record the study habits, work ethic and classroom participation of students in schools across the country. It also seeks to see how each institution allocates its resources toward student learning opportunities, both within and outside of the curriculum and campus. With the results we are shown how undergraduates in more than 560 schools across the nation spend their time.

      The NSSE reports that 322,582 students completed the survey in 2016 and approximately 5.5 million students have participated since the study’s inception in 2000. It proposes questions to students such as, “How many hours per week do you study?” or “How often do you participate in classroom discussion?” With this extensive data, “The College Student Report” creates a comparative study of student habits across each school. This allows participating institutions crucial access to various reports that compare their own students’ responses to institutions of similar status. This data provides a benchmark to measure Eastern’s students’ academic standings, successes and habits. As a result, institutions such as Eastern are given an idea as to which programs or activities need development or attention in order for their students to receive beneficial learning experiences that will shape their future academic achievements and goals.

      This survey was last conducted at Eastern in 2014, and the results have provided the school with information that could be used to encourage student participation in high-impact activities that would bolster their education and experience here at Eastern. In reviewing this information, Eastern administrators noticed a lack of student engagement in service learning projects and sought to implement this in their curriculum. As a result, INST 150 and 151 classes now incorporate a service learning day into their syllabus, and now 92 percent of first-year students reported participating in a volunteer or service learning project in 2014. The 2014 survey results also show that only 22 percent of seniors took part in research projects with their professors, whereas similar schools to Eastern report 27 percent of their students engaging in research with faculty. Although only a small difference between the two, Eastern faculty has actively been striving to incorporate more research opportunities and field experiences into their classes and programs as a direct result of the NSSE survey.

      The NSSE survey is an integral tool in measuring Eastern’s students’ involvement in their academics as well as the effectiveness of our school’s educational programs and opportunities. If you are currently one of the 743 eligible first-year or senior students here at Eastern, you should consider spending 15 minutes to complete the survey because the information gained through your time is invaluable to the University. Currently, only 23 percent of eligible students have completed the survey; the Office of Institutional Planning hopes to receive over 40 percent participation by the June 1 deadline. In hopes to increase these numbers, a raffle of 30 $10-Wawa gift cards, for those who have completed the survey, will be drawn April 21. The survey is available to take through a link sent to eligible students’ emails, Eastern’s Brightspace portal or in person at the Mall Cottage.

      Sources: Thomas Dahlstrom, Laura Sturgill

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