The Tri-County Concert Association has been hosting concerts for 77 years now, most recently a concert featuring Mezzo-Soprano Julia Mintzer. This association was founded in 1941, when two sisters, Ellen Windsor and Rebecca Windsor Evans sponsored a performance of the Curtis String Quartet at Radnor Junior High School. After the enthusiastic reception of the concert by the community, the Tri-County Concert Association was born. Since the Windsor-Evans sisters, this association has had a constant string of female leaders who brought the association into prominence in the community. Beginning in the early 50’s,  Mrs. Guida Smith became the leader of the associating, concentrating her efforts on helping bring relatively unknown artists to public attention, but also to bring already well-known artists to her community. Leadership transitioned to Jean Weatherall in 1979. That same year, the Association became a non-profit organization, and underwent several changes in venue, becaming permanently located at Eastern University in 1999.

     Despite all of the transition in the late 1900s, the Tri-County Concert Association has hosted musicians of the highest caliber. More recently, the association has focused its attention on “Emerging Artists,” showcasing younger artists who are on the verge of extremely successful careers. The Tri-County Concert Association also hosts a Youth Festival, which has been a stepping stone for many talented young artists as well. Some participants in the Youth Festival have gone on to claim seats in many major orchestras, including our very own Philadelphia Orchestra. With their “Emerging Artists” series and Youth Festival, the Tri-County Concert Association offers its audience the unique experience of seeing rising stars in an intimate setting. The history of the Tri-County Concert Association is a unique one, particularly the fact that its leadership has consisted solely of women, who built the association into what it is today.

     Julia Mintzer, Mezzo-Soprano, was their latest featured artist, who performed at Eastern on April 22. Mintzer has a varied performance background, with concerts throughout the U.S. and Europe. In 2012-2013, Mintzer was a young artist at the Washington National Opera, until she became a member of the Junges Ensemble at the Semperoper Dresden from 2013-2015. She also sang the first staged performance of Little Match Girl Passion, by David Lang, in the Glimmerglass Festival in 2013.

     Besides being an accomplished singer, Mintzer is also the 2017 recipient of the National Opera Association’s JoElyn Wakefield-Wright Directing Fellowship for stage directing. She has staged numerous performances, including Fedelio at Princeton University in 2016, and La Boheme for the Metrowest Opera in 2017. On this note, the Tri-County Concert Association closes out their concerts for the semester. The Eastern community is incredibly lucky to host these, and it’s a special opportunity to have such close access to such wonderfully talented musicians.

     Sources: tricountyconcerts.org, juliamintzer.com

      Though originally off to a slow start this semester due to inclement weather, Eastern University’s Men’s and Women’s tennis seasons are now fully underway. The Men’s team currently holds a 2-2 record for this season, with both wins on courts away from home. On March 16th, the Men’s Tennis team earned their first win of the season against the Rosemont College Ravens, despite cold and windy conditions. Head coach Mark Spangler gave a statement on the weather difficulties, explaining that it had been a “tough spring to get any momentum.” The final score of the match was 8-1. The Men’s Eagles then lost on March 19th to Neumann University, but bounced back with a win on March 26th against Bryn Athyn. Connor Mooney, a junior, took the winning match, bringing the Eagles’ score to 5 and securing a 5-4 victory. The Men’s match against Immaculata University, originally scheduled for March 28th, has been postponed until a later date. The Men’s team continues their schedule

       The Women’s team has had a phenomenal season so far this year, with a winning record of 4-0, playing only one game at home. Last semester the Lady Eagles beat Cedar Crest College 9-0 and Arcadia University 7-2. Along with the Men’s team, the Women’s team also faced delays at the beginning of this season. Their first match this semester against Lebanon Valley was originally supposed to be on March 21; however, due to weather concerns, this match and the next match against Rosemont College were postponed until a later date. After the initial delay, the Eagles bounced back with a 7-2 win against Bryn Athyn on March 26th. They then, just one day later, faced Alvernia University. Alvernia was down a player, so Eastern already had two points guaranteed at the start of the match. Despite intermittent showers, the Lady Eagles beat Alvernia University 5-1. Coach Spangler expressed frustration with the weather conditions, but commended Olivia Weaver for her decisive match win. The Women’s team will also play FDU-Fordham next on April 14.                          

Source: GoEasternEagles

Gap years are becoming increasingly popular among soon-to-be college students and current college students alike. There are numerous benefits to taking a year away from the academic grind and taking time to travel, volunteer, work, or simply figure life out. The term “gap year” is an incredibly broad term that can be applied to many different experiences. When I think of a gap year, I typically think of taking a year off after high school graduation. This might be the most common use of the term. However, taking a year or semester off of college after already beginning a college career is another type of “gap year,” and taking a gap year during college can be beneficial in many unexpected ways.

According to the American Gap Association, 90% of students that leave school to take a gap year return to finish their education. Upon returning, these students typically obtain higher GPAs than their peers, and 75% of returning gap year students reported that they felt their time off of school actually helped them get a job, due to skills learned while away from a classroom environment. Depending on what the student does with their gap year, this time spent travelling or volunteering can also help one decide on a future career path, or find a sense of purpose that might have been lacking inside the too-often impersonal and monotonous walls of academia. Clearly, taking time away from the university is most certainly not detrimental to a student’s education.

However, even spending four consecutive years at the same college feels volatile. The school year is punctuated by numerous breaks, and the entire college life feels like the constant packing and unpacking of suitcases. If a stranger were to ask me where I live, I would have to take a moment to figure out how to answer. As I have matured and made deep friendships with people here at Eastern, I have somehow also begun to lose the sense of having a “home.” In one way, I feel that my home is where my parents are. When I leave school for breaks, certainly I say “I’m going home.” But, I also feel like my home has more and more become this place, with these people. While it is most certainly a good thing that I feel so at home at Eastern, this also means that I can never fully be at home anywhere; I’m always partly longing to be somewhere else. Taking a year away from college to travel or visit some wonderful, distant country feels like it would add to this sense of confusion about home.

Perhaps some people might say that because the college situation is already so flexible in this way, it would be the perfect time to throw caution to the wind and travel as much as possible. There is definitely a lot of truth to this view, and some people might thrive on the unexpected, constantly changing experiences that a gap year could bring. However, there is also something to be said for the desire to become rooted in a particular community that taking a gap year most likely cannot provide. While seeing new places and meeting new people is enriching in one way, becoming fully invested in the people and community around you is soul nourishing in another. It might be impossible to say which experience is better, but for college students unsure about where to call home, taking time to stay still and become a part of the community around you might end up being just as inspiring, in an unexpected way, as adventuring in the rainforests of Costa Rica or learning to cook the perfect pasta dish in Italy.

A well-known yet seemingly inexplicable fact of Eastern University is the existence of certain fruit-throwers: an elusive group that seeks to vastly improve Eastern University campus life by throwing a variety of fruits in seemingly random places scattered around campus.

It has come to my attention that there has been a general outcry against this practice. Micah Skinner, concerned citizen and expert in campus landscaping and fruit throwing, even disapproves of the fruit-throwers. Skinner reflects, “Dante was rather methodical with the way he imagined the structure of the afterlife, and especially the nine circles of Hell. Dante was one of the most brilliant minds of his time, so believe me when I say I am extremely hesitant and loathe to claim that he might’ve missed something. However, desperate times call for desperate measures. Nowhere, not even once, do those who mindlessly and violently hurl fruit at random locations on campus appear in any of the nine circles of Hell. Surely Dante might’ve added a 10th? My personal opinion is that this new circle might go between the 6th and 7th circle, the sins of Heresy and Violence, respectively.”

Disturbed by this violent reaction against the fruit-throwers who harbor nothing but goodwill towards the Eastern community, I have compiled a list of things that the fruit-throwers add to our community. Though the reasons for their actions have been carefully guarded by this clandestine club, I believe there are numerous benefits this practice brings to Eastern’s campus and student body.

1) Makes the campus more aesthetically pleasing. Eastern famously has a beautiful campus. With plenty of natural foliage and scenic ponds, upon first glance, one might think it would be impossible for the campus to be visually improved at all. That is, until you look closer and see the browning, crushed remnants of apples littering the path and realize they were what was missing all along. These ornamental landscape decorations scream, “We have fruit here!” They also give campus a well-fed, homey feel to compliment the more rugged aspects of the landscape.

2) Provides food for the wildlife. Speaking of well-fed, the wildlife at Eastern is greatly indebted to the magnanimous fruit-throwers as well. Even though Eastern has many naturally growing and occurring items for the various forms of wildlife to eat, it is certain that all the animals on Eastern’s campus would starve without the generous supply of fruit they receive regularly. Though these species somehow manage to survive in other environments without Sodexo fruit supplementing their diets, it’s a scientific fact that wouldn’t be possible here at Eastern University.

3) Promotes a studious environment. There is a reason that so many Renaissance paintings feature still-life paintings of bowls of fruit: it stimulates mental activity. Similar to a masterpiece painted by Da Vinci or Michelangelo, the existence of fruit simply sitting still on various surfaces expands the minds in inexplicable ways. The oranges that have rested atop the Janette Mall Cottage are a prime example of this phenomenon. As students enter the library through the side door, they are helped along in their brilliance by the close proximity of still fruit.

4) Good use of food resources. I believe that the aforementioned benefits the fruit-throwers provide to campus make this point self-evident, but there is no doubt the practice of fruit-throwing campus-wide is the best use of food resources possible. Despite the fact there is only a limited amount of edible food in the Dining Commons on any given day, the best use of food items that contain valuable vitamins and minerals is to scatter them high and low across Eastern, rendering them unfit for human consumption.

In conclusion, the fruit-throwers provide many invaluable services to Eastern University, and truly help to make this campus more beautiful and inspiring. If you yourself spot a fruit-thrower, give them a high-five for all the service they are doing for the Eastern community. And remember, anything that isn’t moving is a valid target.

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      Eastern University’s Angels of Harmony performed a fantastic show, appropriately titled Gospel Explosion, joining together with the dance group Precious Movements to deliver a night filled with energetic praise and worship. The gospel group Angels of Harmony has been around for 45 years, and is now directed by Nneka Davis. Davis herself has a wonderful voice, and infused the night with beautiful vocals and words of praise.

      As a high-church Anglican, I was caught off guard at the unreserved and charismatic nature of gospel music. Though of course I knew other traditions existed, I had never experienced a gospel service before, even though the style gave birth to the first truly American sacred music. The history of Gospel music in America is a rich one, and gave birth to many sub-genres of music that are still familiar to many today. Gospel music originated around the time of the Great Awakening in 1734. As Christianity in America was revitalized and became more passionate, the music used during church services reflected this change. Hymns became faster-paced and emotional as church revival swept the nation. The term “gospel music” actually encompasses three different types of music that sprung from this change of pace in the American church. The upbeat musical style quickly became popular in the Southern states, as enslaved African-Americans began to see similarities between their bondage and the bondage of Moses and God’s people in Egypt. This cultural fusion gave birth to many Spirituals and Protestant hymns. Another “sub-genre” of gospel music is White Southern Gospel, which has elements of bluegrass and country music. The soundtrack of “O Brother Where Art Thou” is an example of this type of gospel music.

      The Angels of Harmony; however, seem most aligned with the sub-genre of Black Gospel, which originated in California Pentecostal churches and features heavy jazz and blues influences. Black Gospel music typically features a call-and-response style, sometimes featuring a soloist who improvises and adds to the melody. This repetition and call-and-response style of music made it easy for the audience to participate during the Gospel Explosion concert, and the Angels of Harmony encouraged the audience to dance and sing along. The Gospel Explosion performance also featured two different readings from the Psalms and an encouraging message and prayer, which made the experience seem more like a worship service than simply a concert. It was obvious the groups wanted the time to be a truly worshipful and prayerful experience.

      The Precious Movements dance group also performed a powerful piece advocating against succumbing to peer pressure. The group danced to a spoken-word piece that explicitly referenced saying no to drugs, alcohol, and smoking. The dance fit well into the encouraging theme of the night, and helped add to the church-like nature of the time. Gospel Explosion was a wonderful way for those who have never experienced a gospel performance to become introduced to different ways of worship. They did a good job of involving the audience in their performance, but also making those who hadn’t experienced gospel-style worship feel comfortable. Overall, it was a dynamic and worshipful performance.

      Source: projectmusicworks.org

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      A new semester has begun, which means students are once again facing the stress of schoolwork, attending classes, and most importantly, answering the question, “What are you doing this weekend?” While Eastern University is situated nicely next to the quaint town of Wayne and only a half-hour (if traffic is good) from Center City Philadelphia, finding new, fun, and affordable activities and events to attend during the semester is not always an easy task. However, there are some interesting and unique arts events happening in the area which are definitely worth checking out.

      1) Frankenstein and Dracula: Gothic Monsters, Modern Science. This exhibit, housed in the Free Library of Philadelphia, commemorates the 200th anniversary of Mary Shelley’s novel Frankenstein. This exhibit will include manuscripts borrowed from the Bodleian Library at Oxford University, Stoker’s very own notes he wrote while authoring Dracula, and other manuscripts borrowed from organizations across the country. Visitors will also be able to experience the Frankenstein Digital Museum via interactive portal. This exhibit ends Febr. 11, 2018.

      2) Enhancing Views of History: Terracotta Warriors and Augmented Reality. The Franklin Institute is “enhancing the visitor experience” of its Terracotta Warriors of the First Century exhibit with augmented reality. This AR technology will provide computer-generated images that display what 10 full sized ancient statues might have looked like when they were first built. This exhibit closes March 4, 2018.

      3) Philadelphia Art Museum. In addition to their pay-what-you-will Wednesdays and first Sunday of every month, the Philadelphia Art Museum is currently hosting the Johnson Collection, which includes pieces by Botticelli, Titian, Rembrandt, Monet, and Bosch. George G. Johnson left his sizeable art collection to the city of Philadelphia in 1917, and the collection is still being studied and scrutinized to this day. This exhibit will be featured in the museum until Febr. 19, 2018.

       4) Campus Philly. Campus Philly is an organization that encourages students from schools all around Philadelphia to participate in the life of the Philadelphia region. This organization hosts certain events throughout the year, such as a college skate night at the Blue Cross RiverRink on Jan. 31st, with free admission and skate rental for registered college students. In addition to sponsoring events like these, Campus Philly also provides free or discounted tickets to events in the Philadelphia area as well.

       5) Philadelphia Art Week. From March 7-11, local craftsman from the Philadelphia area will be exhibiting their work, free to the public, and attendees will be able to view the artwork and meet the artists.

      6) Concerts. While not always entirely budget friendly, Philadelphia hosts a wide variety of artists, some more famous than others. Some artists playing in the area over the next couple of months include The Killers, Stick Figure Parking, Walk the Moon, Lana Del Ray, Milky Chance, Sleeping with Sirens, and countless others.

      Though a few of these events might be a drive or a train ride away, most are free or relatively inexpensive. These events also provide students with the opportunity to view rare or priceless paintings, perhaps an opportunity few people are able to have. While going out to Pipeline Taco or Jules Pizza might never get old, if you’re looking for a change in scenery for your weekend plans, these events are worth a try!

      Sources: eventbrite.com; pcah.us; philamuseum.org; campusphilly.org; vividseats.com.

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Eastern University has many notable alumni, including Brandon “Scoop B” Robinson, a sports and entertainment writer and personality in New York. Currently writing and editing for RESPECT magazine, Robinson has profiled stars such as DJ Khaled, Steph Curry, Dr. Ben Carson, LeBron James, and more. Before making it big in the world of journalism, however, Robinson was a student at Eastern University.

Robinson revealed that, initially, Eastern wasn’t his top choice for college. He recalls the moment when he realized Eastern was the place he wanted to be: “During my senior year of high school,” Robinson shares, “Dr. Julie Morgan personally called me, invited me and my family down [to Eastern] and made us feel welcome. I got a tour of the school and I was sold. I’ve never forgotten that. My parents liked that, and we chose Eastern.”

While at Eastern, Robinson was an active member of the community. In addition to being a full time student, he was also an address-announcer and “in-game” DJ for men’s and women’s basketball, and had a similar job for the soccer, lacrosse, and volleyball athletic programs. Robinson was also a student ambassador for Eastern, giving tours to prospective students and recruiting students on Eastern’s downtown Philadelphia campus. Finally, Robinson was also the sports editor and columnist for the Waltonian. Robinson shares that his busy schedule actually helped him learn valuable lessons during his time at Eastern. “Time management was the biggest thing I took from all of my roles within the university. I traveled, I was social, and went to class. The most important thing, however, was getting all of my work done. I find myself leaning on those same principles in my career today.” Attending Eastern impacted Robinson’s faith as well. “While I was at Eastern, my faith grew stronger. Growing up, you’re taught about God and why you should believe in him. But do you know him for yourself or do you know him for what you’re taught? I developed a stronger relationship with Christ while at Eastern by genuinely getting to know him for myself.”

In addition to learning more about his faith, Robinson writes that some of his other favorite memories were connecting with different people on campus. “I remember countless hours of chatting about football with Sodexo’s Tony Jenkins in Walton Hall; vivid discussions about the differences between the pro game and college game with Dr. John Pauley were pretty standard, as were discussions with English Chair, Dr. Chris Bittenbender, about food.”

Robinson clearly values the relationships he made with many people across the board during his time at Eastern. Robinson knew he wanted to pursue a career in journalism from a young age. “Even before Eastern,” Robinson says, “I was… preparing myself for this stage in life. I began in radio at 12.” Robinson also cites his extracurricular activities at Eastern as also helping him reach this goal, specifically writing for the Waltonian and announcing at sports games. He now lives in New York, writing for the magazine RESPECT and releases a podcast, the Scoop B Radio Podcast, every morning. When asked what advice he would give to others attempting a similar career path, Robinson cautioned, “It’s not going to be easy at first; actually, it never will be easy. But if you are good to your craft it will be good to you. Stay hungry always, and always mindful and watchful of your surroundings. Also, don’t be afraid to reinvent yourself.”

Source: Interview with Brandon Robinson

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       Dr. Jim Harries, chairman of “The Alliance for Vulnerable Mission,” (AMV) shared about his missionary work in a Windows on the World lecture on Friday, Nov. 3. Harries began his talk by explaining what he does in the mission field.

      “For ministry, essentially, I do Bible teaching,” Harries said.

      Harries described some unexpected aspects of missionary work in Africa. He explained the racial tension surrounding a white missionary in Kenya by telling a story about a man he stayed with in Zambia. Harries noticed his host avoided talking to white men in public, and asked his host about this behavior.

      “I confronted him… and he said, ‘when my people see me with white people, they assume I’m after money. The more time I spend with you, the more my reputation amongst my own people is damaged,’” Harries quoted.

      Harries encountered this issue again and again; his money and resources constantly created barriers between him and the people he was trying to help. “In order to find out what people really want, you can’t have money,” Harries reported, “or at least not make any money available.” Because of this issue, Harries stressed, “Use local resources. Convince people to use their own resources to do things you think they ought to be doing.”

      This idea to use local resources and native language in mission work is the  philosophy of the AMV organization. Harries writes in a journal entry posted on the AMV website, “[Using local resources] forces the missionary to face the same difficulties the locals are facing, which in turn enables him/her to demonstrate ways of working that are locally achievable. Jesus himself and other biblical characters engaged in ‘vulnerable missions.’ The power they had was from God, and not from a foreign economy.”

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      On Oct. 22, Jordan Dodson, a solo guitarist, performed in McInnis auditorium as part of the Tri-County Concert Emerging Artist Series. The Tri-County Concert Association originally began in December 1941, making the 2017-2018 season its 77th year as a prominent chamber music venue. They state in their pamphlet that their “Emerging Artists” series aims to showcase “brilliant young musicians who [are] on their way to distinguished professional careers.” Previous young artists who have performed at Tri-County Concert events include William Kapell, Gil Shaham, and Pamela Frank, all of whom were under 25 at the time of their performance.

      Jordan Dodson himself is described by Performance Today as “one of the top young guitarists of his generation,” holding degrees from the Curtis Institute of Music, the Manhattan School of Music, and the Cincinnati College-Conservatory of Music. He has played and taught in venues such as New York’s (Le) Poisson Rouge, Roulette (Brooklyn), Philadelphia’s Kimmel Center for the Performing Arts, National Sawdust (Williamsburg), and the Museo Nacional de Colombia in Bogota, and performed in many music festivals, including the Kingston Chamber Music Festival, the Aspen Music Festival, and Festival Daniou in France.

      One might think that attending a concert of such an accomplished musician would feel stiff, formal, and possibly even uncomfortable for everyone in attendance who isn’t an experienced musician themselves. However, the feeling of Dodson’s concert was friendly and almost intimate. Dodson sat on a bench on a well-lit stage, and after every set he walked over to the microphone and shared information about the songs he was playing; sometimes he even included personal anecdotes connected to the composers of the piece, or stories relating to the songs themselves. He put the audience members at ease, and made everyone feel comfortable. At one point, after giving a somewhat extensive analysis of a Bach piece he was about to perform, he reassured the audience that they didn’t need to remember all the technical information he was providing, and encouraged everyone to simply enjoy the music.  After Dodson introduced his second set of songs, one audience member even felt comfortable enough to ask about the wood used to make his guitar before Dodson began playing again (the sides of Dodson’s guitar are Indian rosewood, and the face is spruce.)

     Dodson values his connection with the audience, saying his favorite part about being a guitarist is that “the instrument connects with the audience immediately… the guitar helps remove barriers to audiences.” While a Bach piece played by an orchestra or symphony can feel lofty and far removed from the music an audience might typically be accustomed to enjoying, the guitar feels familiar and more relatable to many people.

     Though the guitar might be a more “relatable” and down-to-earth instrument, Dodson’s talent was still incredibly obvious, and very impressive. The pieces he played ranged from Bach and Regondi all the way to more modern composers such as Nicole Murphy and Dai Fujikura. The wide-range of his talent was clear, and his concert repertoire was impressive as well: he played 10 pieces total, which is a lot when you’re the only one onstage for over an hour! After the concert, the association provided refreshments and an opportunity to talk with Dodson.

     Despite the fact that tickets were free for students, the crowd was composed mostly of older adults. The Tri-County Concert Association provides a wonderful opportunity for students to experience classical music at little to no cost, with the convenience of the venue being a short walk away from the dorms. These events provide a unique opportunity for an entire community- college students and others from the surrounding area- to come together and celebrate beautiful music.

     Source: Tri-County Concert Association pamphlet

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      As Protestants everywhere celebrate the 500th anniversary of the Protestant Reformation, Eastern University’s own Dr. Phillip Cary travelled to Wyoming on Oct. 16 to deliver a lecture in honor of this anniversary. His speech, called “How Luther Became Protestant,” was given during a conference sponsored by the Religious Studies department at the University of Wyoming, titled “The Protestant Reformation: 500 Years and Counting.” Other notable speakers at the conference included Matt Goldish, Samuel M., and Esther Melton from Ohio State University, and numerous other scholars from the University of Wyoming.

      To anyone familiar with Dr. Cary’s published books, the fact that he has delivered multiple speeches on Martin Luther might be a bit surprising, considering the bulk of his publications have been on the work of St. Augustine. “The reason I began doing scholarly work on Augustine,” Dr. Cary explains, “…was because I wanted to understand the background to Luther’s theology. I was originally planning to write a Ph.D. dissertation on Luther, with a first chapter on Augustine as background. That first chapter expanded eventually into three books.” His research for his “first chapter” of his doctoral dissertation has lasted 25 years, and he shares that he is just now “getting back to the work on Luther that originally led [him] to Augustine.” He is currently finishing a book that focuses on both Luther and Augustine. Though Dr. Cary is just now publishing his first book on Luther, he has written many articles about Luther’s theology, including one he describes as “somewhat influential,” titled, “Why Luther is Not Quite Protestant” for the theology journal Pro Ecclesia in 2005.

      After recounting his scholastic experience with Luther’s works, Dr. Cary then describes his personal interactions with Luther’s writings. “To love Luther, as I do, gives you a peculiarly complex task,” Dr. Cary explains. He agrees with many of Luther’s theological ideas, claiming “the thing Luther gets right is his concept of the Gospel.” He elaborates, “[The Gospel] is the saving Word of God because it gives nothing less than Jesus Christ, God in the flesh, to all who believe. This is the heart of Protestant theology, the great gift that Luther and Protestantism have to give to the church: an understanding that since we sinners can do nothing to make our way to God, God has made his way to us through the Gospel that gives us Christ.”

      While he agrees with many of Luther’s theological claims, Dr. Cary goes on to explain why appreciating Luther is a “complex task.” He writes that Luther was caught up in “fierce verbal fighting” against Catholic and other Protestant theologians, and sometimes the discourse turned particularly ugly. Luther also wrote what Dr. Cary calls “the most inexcusable work of wickedness ever produced by a Christian theologian,” addressing Luther’s remarkable hatred and harsh words directed towards the Jews. Dr. Cary acknowledges that

       loving a brilliant, but also imperfect human being is a tough job. We cannot ignore the evils and errors in Luther’s works, but we can love and appreciate him for the truth and goodness he does offer the Christian Church. Dr. Cary describes this complex relationship: “We must love him as a grown-up loves a glorious but deeply-flawed ancestor.”

      Source: uwyo.edu

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