The Dance Program at Eastern University held its annual senior thesis performance on  Feb. 2 and 3. Past and present, Eastern University dancers took to the stage to put on the exciting and entertaining show, You’ve Been Framed.

       The first half of the recital was performed by Eastern University alumni. The dance pieces covered themes of rebirth in “Changed”, female-empowerment in “Woman”, and perseverance in “Not with Uncertainty”. Those who attended senior thesis performances in the past years could recognize the performers from these acts and current Eastern students were able to reunite with peers who recently graduated. The familiar faces performing the pieces was a great way to start the night.

       After the intermission, the audience was welcomed to spend A Night at the Museum and experience the choreography of senior Dance major, Madison Eichert. “Everything in the museum comes to life at night”, a quote from Larry Daley, the character played by Ben Stiller from the movie Night at the Museum, is found in the playbill; Madison Eichert does just that with her works. In each number, a different painting is brought to life with the help of Eastern’s talented dancers. In the opening piece, Eichert used “A Night at the Museum Theme Song” and showed the closing of the museum. Just as things came to life in the movie, paintings danced sneakily as the people left the museum, and a security guard tip-toed in tap shoes, on the lookout for anything suspicious.

      Inspired by famous pieces of art, Eichert choreographed works that captured the life within the paintings. In “Vincent,” the piece inspired by Van Gogh’s Starry Night, dancers dressed in different shades of blues to mirror the masterpiece’s color scheme. The dancers moved in smooth, sweeping motions, similar to the brushstrokes seen in the painting. Eichert had the dancers use yellow umbrellas to act as the stars in the sky. The piece shows the “life” of the night sky that Van Gogh created. If we were looking at the sky as Van Gogh did, we would see a changing sky, with stars brightening and dimming and clouds shifting positions. The performance captured that movement.

      Madison Eichert’s thesis was special not only because of her personal interpretation of the paintings, but also because of the evident connection she has with the dancers. Eichert even brought two of her high-school mentees to dance in the pieces. In the video shown before the performances, Eichert talked about these two dancers, Sophia Fox, a freshman, and Matthew Groenveld, a junior, thanking them for their participation in the recital and telling her history of teaching them and watching them grow as dancers. Fox and Groenveld danced beautifully together, telling the story of the lovers in the painting Capsized.

       The final performance, an interpretation of Cafe in Paris, captured the fun that comes with being among friends while doing what you love. Set to “Another Day of Sun” from La La Land, Eichert and the rest of the performers in the recital showed the hustle and bustle of a day on the streets of Paris in this number. Friends came together at the café to have fun on a sunny day. The audience could clearly see and feel the brightness and happiness from the performance. Unlike in many other majors and their thesis presentations, the Dance major requires people to come together in a unique way to make the project great. The process takes time and hard work, but when you get to do the work among friends, the reward is that much sweeter.

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      The Broadway adaptation of “Anastasia” debuted in April of this year. The cast, which includes Christy Altomare as Anya (Anastasia), Derek Klena as Dmitry, and John Bolton as Vlad Popov, brings the beloved characters from the 1997 animated film, “Anastasia,” to life in this performance.

     The movie and the play follow the story of the historical figure, the Grand Duchess Anastasia Nikolaevna of Russia. The real Anastasia was killed along with the rest of the Romanov royal family in the early 1900s by the Bolsheviks, a rebel group made up of working class members led by Vladmir Lenin. After the execution, there was speculation as to whether the duchess Anastasia and her brother, Alexei, survived since all of the bodies except for those two were found. Following the history, the play begins with the murder of the Romanovs when Anastasia was young and then fast forwards to the Saint Petersburg that exists now that there is no royal family leading; in the song, “Rumour in Saint Petersburg,” the townspeople are similarly suspicious that Anastasia is still alive. Young women, in both reality and the play, came forward claiming that they were Anastasia in an attempt to inherit the life of the duchess. This historical mystery is so intriguing and makes for a great storyline, and so the Anastasia impersonators are a big part of the play, too.

      In 2007, though, the bodies of the duchess and her brother were identified and the Anastasia mystery was solved. That doesn’t make for good entertainment: everyone dies. The end. The play “Anastasia” changes the plot to make it more entertaining rather than retaining complete historical accuracy. In this story of Anastasia, the duchess survives the killing. The twist is, she has no idea who she is, as she developed amnesia after the Bolsheviks attacked. Going by the name given to her by the nurses who found her on the road, “Anya” lives her life after the execution with nothing but flashes of memories that she has no understanding of.

      The play is all about Anya’s journey to Paris to find out about her past, so there are a lot of people and places to see along the way. The visual aspect of this performance is gorgeous. Instead of traditional back drops for the scenery, the show has a variety of different landscapes and buildings projected onto the stage to give the feeling that you are traveling to Paris with Anya. In the last scene of the first act, Anya, Dmitry, and Vlad have hopped off of their train from Russia and are just a few miles away from their destination. As Anya sings the closing song, “Journey to the Past”, the projection shows the flora “surrounding” the characters and pans up so that you can see the Eiffel Tower and the rest of the beautiful city that the characters have finally reached. The projections also make Anya’s memories come to life. In one scene, Dmitry gives Anya a music box that he bought, thinking it was a Romanov treasure. When Anya opens the box, which in itself is spooky, since no one else knew how to open it, a lullaby (“Once Upon a December”) starts to play. The ghosts of the royal family dance on the stage, and projections of dancers are displayed all around the theater so that the audience is fully immersed in the memory.

     And then there is the music. With your student discounted Spotify Premium account, you can stream this soundtrack all of the days of your life. And you should, because these songs are great. The animated film score was nominated for Best Original Musical or Comedy Score and Best Original Song in 1998. This soundtrack, successful as it is, is brief. To make the story flow as a Broadway show, the same songwriters who wrote the songs for the movie, Stephen Flaherty and Lynn Ahrens, created new tracks. These songs add emotion (Anya’s and Dmitry’s feelings are expressed in “In a Crowd of Thousands”), comic relief (especially in the number “The Countess and the Common Man”), and excitement that is needed to make the story fit as a musical. The new tracks along with the songs from the film, like the classics “Journey to the Past” and “Once Upon a December,” sung by the extremely talented cast, blend so well and make the story of Anastasia that much richer.

      Anastasia has got it all: it’s a mystery, it’s historical, it’s political, it’s funny, it has romance, it has tragedy, and a phenomenal group of people performing it for you. Find some money and spend it all to go see this show. Maybe there’s a lost duke from Poland that you could impersonate to get the funds you need.

   Sources: biography.com, imdb.com

 

 

 

photo credit: Anastasiabroadway.com

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