This past summer I picked up a small book at a yard sale called “When the Trees Say Nothing,” written by Thomas Merton who was a Trappist monk of the Abbey of Gethsemani. The book reads like a journal with entries meditating on his love and wonder of the natural world. Merton talks of the sacredness and the veneration of the natural world. He writes, “The pale flowers of the dogwood outside this window are saints. The little yellow flowers that nobody notices on the edge of that road are saints looking up into the face of God.” Merton calls us to be attentive to nature’s beauty and mystery. He calls us to enter into the paradise that is around us. We are to experience what is given in the here and now, what is given to us as a gift. He thinks people ought to be in “the fields, in the sun, in the mud, in the clay, in the wind,” for “they form our contemplation. They instill us with virtue. They make us stable as the land we live in.” Merton urges us to be engaged with this beautifully created gift we are given.

Like Merton’s “When the Trees Say Nothing,” a lot of the most striking poems I have read seem to also call us to a love for the natural world. One poem in particular stands out to me: “Binsey Poplars” by Gerard Manley Hopkins. In this poem, Hopkins’ aspen trees have been cut down and he mourns their lost beauty. He grieves for how we are treating the natural world, writing, “O if we but knew what we do / when we delve or hew —/ Hack and rack the growing green.” Like Merton’s reflective book, Hopkins’ poem is also a call to treat nature as a gift. He sees nature, here the aspen trees, as expressions of beauty and of God’s creativity. He talks about the trees losing a sense of self when they are cut down. In order to lose a self, the trees must have had a self to begin with. Here I think Hopkins means something similar to Merton: we ought to listen to the trees and to nature because we have much to learn from them.

As with Merton and Hopkins, I find that there is a certain wonder, peace, gratitude, and beauty only found in nature. Both men write of a call to love nature. But to love something well, you must first know it. Wendell Berry, farmer and environmental activist, echoes this idea that “We have the world to live in on the condition that we will take good care of it. And to take good care of it we have to know it. And to know it and to be willing to take care of it, we have to love it.”

The earth is a gift to us and like any good gift we ought to treat it well, with love and appreciation. You do not put a gift away in the back of a closet, you take good care of it. For it is not by ourselves that we can learn how to care for things, but it is through gifts we are given. The way we care for the earth teaches us ways to care for each other. Tending a garden teaches us patience and intentionality. A long hike teaches us endurance and commitment. A walk through the woods teaches us to breathe, to slow down and to look up. It is in his book “The Four Loves” that C.S. Lewis says the only thing nature asks of us is to “Look. Listen. Attend.”

Sources: “When the Trees Say Nothing,” “Binsey Poplars,” “The Four Loves”

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      For senior and head of Earthkeeper’s club Hannah Horton, being a Christian and a conservationist should go hand in hand. As Wendell Berry, the novelist, environmental activist, and farmer, writes in his short essay, Christianity and the Survival of Creation, “Creation is not in any sense independent of the Creator.” Too often, we mistakenly separate “things of the earth” from “things from above” and forget that there are holy things occupying the earth as well. We forget that, as the poet Gerard Manly Hopkins puts it, “Christ plays in ten thousands places” right here where we are. The earth is God’s creation and inherently reflects Christ. William Blake wrote that “everything that lives is holy.” So in a sense, the earth is a kind of sacrament. This earth is a gift to us. Hannah notes that it is dangerous theology to only think about heaven and life after earth. After all, we are here right now and the majority of the Bible centers on people living on earth. It commands us to care and to serve in the here and now. And we have been given this earth not just to use up, but to cherish it as a gift. So we should do things with care and with a sense of intentionality. Hannah puts in nicely that “this planet is a home given to us by God.”

      She continues by pointing to biblical and theological tradition to support this idea that Christians are called to take care of the earth. This includes caring for one another, the plants, and the animals. The earth is a gift not just for us to cherish and do nothing for, but a gift to which we have a responsibility. This is why dominion over the animals is more a sense of responsibility to care for them than it is to gain control over the natural world. As Christians, we are to seek to find a balance between being good stewards of the earth and knowing our place in the natural order as well. For too many times have we overemphasized our place in the cosmos. Even just reminding ourselves of the fragility of our place in world is so much a part of how we go about caring for the earth. When we treat our time and our place here as fragile gifts, we better appreciate this earth and hopefully learn not to waste it.

      Yet, Hannah assures that we cannot stop at simply recognizing our role to care for the environment, but we must actively integrate this mindset into our lives. She suggests, “We can start small, start by investigating, going through our day. We can think about what we eat, where we are using up electricity, how we get place to place. Tackle simple tasks. Integrate those into your life.” Then we can begin to research deeper and then an outreach can start, which we can work through together with a partner.

      So if you are interested in conservation and the interplay between the Christian faith and caring for the environment, Earthkeeper’s club is a great place to start. Earthkeeper’s is about keeping the students of Eastern educated about environmental concerns and keeping us in this call to action, guiding us about how to live a green lifestyle. Club meetings and times will be announced later, but you can contact Earthkeepers@eastern.edu or email Hannah Horton directly.

      Wendell Berry summarizes part of our purpose in caring for the environment, writing “the care of the earth is our most ancient and most worthy and, after all, our most pleasing responsibility. To cherish what remains of it, and to foster its renewal, is our only legitimate hope.”

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       Michael Nichols is an award-winning photographer and wildlife advocate who has traveled to some of the most remote places around the world. In 1996, he became a photographer for National Geographic and then became an Editor-at-Large for the magazine in 2008. Nichols has been photographing wildlife for forty years. We are fortunate enough to have the chance to see some of his work showcased in Philadelphia. The Philadelphia Museum of Art is currently featuring an exhibition of many of Nichol’s world-renowned photographs of wildlife. His photographs include pictures of wild animals like gorillas and tigers, along with the national parks and prominent scientific conservationists like Jane Goodall. Nichols’ images give viewers the chance to engage with the grandeur and power of these wild animals and yet catch a glimpse of their fragility as well. Nichols calls this dynamic a reflection of our own humanity. His photographs seem to call us to look deeper at humanity’s complex relationship to wildlife.

     In an interview with the New York Times, Nichols says he made the decision to be intimate and intense in his photojournalism. His passion for capturing this intensity and intimacy of the natural world is certainly reflected in the up-close and detailed photographs he has of silverback mountain gorillas, lions, elephants, and other animals. In the same interview with the New York Times, Nichols goes on to say that when he is photographing animals like gorillas, he has to show with his body language that they are king and he is the servant. He explains, “If you’re on a safari in Africa, most people get impatient after five minutes. Well, the elephants don’t calm down for 45 minutes. So it’s only in the second hour sitting with a group of elephants that you start to see into their world, and you start to see they’re doing all these sentient things that we reserve for ourselves.” Nichols sees much of the world as tame, and he believes most people actually want the world to be this way: comfortable, calm, controllable. Yet, he seeks out the wildness and the beauty in their natural states.

     I had the chance to see the Wild exhibit recently and the photographs were incredible. There was one image of Jou Jou the chimpanzee reaching out and gently touching Dr. Jane Goodall’s forehead. The photograph is from a book co-authored by Dr. Goodall and Nichols, entitled Brutal Kinship. The photograph and book both encapsulate the idea that, just as we depend on wildlife, wildlife depends on us, and yet we continue to exploit it. Again, we see this tension between humankind and the natural world. This beautiful picture is accompanied by many more in the chimpanzees exhibit they visited while writing the book. The exhibition will be open until Sept. 17 and students can receive discounted admission for fourteen dollars a ticket with their student I.D. On the first Sunday of the month and Wednesday night, there is Pay as You Wish admission. Michael Nichol’s Wild exhibit is not only a beautiful display of the land and animals, but it is a call to be more intentional in how we interact with the natural world.

      Sources: philamuseum.org, nytimes.com

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      For midwife Nancy Hazel, the role of the midwife is to be “centered on the woman and the family, to help them be stronger together after the birth.”

      On March 10, Hazel joined a group of Eastern students to present a lecture on the history and philosophy of midwifery and the impact that feminism has had in its development. She began her talk with a history of midwifery in the Bible in which midwives are described as knowing the mothers in a very close and deep sense. She then discussed factors that led to the degradation of midwives in the community throughout the late 1800s and early 1900s. Medical organizations arose that led doctors to be financially stable and gain recognition in the public eyes, while no such programs existed for midwives. To the public, midwives could not compare to doctors, not only because they lacked the standing but also for factors out of their control. One such factor is that most midwives were women, and most doctors were men. This fed into the prevailing sexist view of women as politically and socially inept. After all, women’s sphere of knowledge was the home, not in medicine. So it is fascinating to hear that in a study conducted by Alexander Fletchner in 1910, it was reported that around 90 percent of doctors did not attend college. In fact, a Hungarian researcher found that women who were cared for by men in hospitals were dying at an alarmingly higher rate than those cared for by midwives. Scientific knowledge was valued higher than women’s knowledge of their own bodies, which was not even seen as knowledge. Thus, the problem became about whether it was possible to license and standardize midwifery or whether it was too low of a field to do anything.

      In 1925, Mary Breckinridge, an English trained midwife, set out to pass legislation that licensed midwives. Her goal was to bring trained midwives to Appalachia, Kentucky, one of the poorest areas with the highest infant mortality rate in the country. Breckinridge’s plan dramatically decreased the maternal death rate from 6.7 percent to 1.2 percent.

      Like Breckinridge, Hazel believes that midwifery is a vocation to care for women in a very intimate way. This intimacy stems largely from the idea that the role of the midwife is centered on discussion with the woman in labor. Hazel says this not to undermine the immense pain and process of labor but to show the value of women listening to their bodies, communicating what they are feeling and having the ability to accept or decline when necessary. She emphasized this need for women to listen to their bodies–that what their bodies are trying to communicate naturally is important. The midwives allow women to feel confident enough to make these decisions and even encourage the father or other family to be active in encouraging the mother as well. In this way, Hazel believes midwives are particularly helpful in involving the family, no matter how it is defined. While hospitals can be restrictive in allowing only the father to be with the mother during the birth, birthing centers and home births allow this decision to be made by the mother and those with whom she is comfortable. The birth should be a time of strengthening the mother and the family.

      I found it particularly empowering to hear that women have been doing this for years and will continue to do this for years–that women were made strong enough not only to endure the pain, but also to sustain human life inside of us for nine months. After all, a strong family begins with a strong matriarch bringing life into this world. Hazel says that the hope of midwives is that the mother will be a stronger woman because of how they helped her labor. It was a lovely evening listening to Hazel speak passionately about what she calls her vocation.

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      Katie Brabham graduated from Eastern in 2011 with a degree in music education. In 2014, Brabham was put in charge of the music department at Bishopville Primary School-Annex in South Carolina. When Brabham first began this position, she was working with the bare minimum, but this didn’t stop her from pursuing her love of arts and education. Using the site donorschoose.org, she sought to involve the community in raising money to buy instruments for the students. Brabham’s is one of the many voices we need supporting the arts in schools. When she became a music teacher she was told that she was going to have to fight for arts advocacy, and so she did. With the help of the public, she worked to keep the arts as an important part of education. Brabham is confident that the department will continue to grow, largely due to the overwhelming support of the community. Still, she expresses concern for what future generations will look like if the arts are taken out of schools.

      As school budgets are tightened, the arts are often one of the first departments to be cut. There seems to be a prevailing idea that fields of study like science and mathematics take precedence over the arts because they are viewed as more practical or useful. And while science and math are valuable and fundamental in order to develop into thoughtful persons, the arts should not be devalued at the expense of other areas of study. In fact, research shows that an education in the arts positively impacts students in other areas of academia as well. In the late 1990s, James Catterall analyzed the results from a study that the National Educational Longitudinal Survey conducted in which they surveyed 25,000 secondary school students over a four-year period. In 2009, he reevaluated the data, along with the 10 years of data since the first study, and found that students from “arts-rich” schools in low-income areas were more likely to have higher grades in school, to graduate and to continue on in higher education than students from “arts-poor” schools in low-income areas. Further, for those students who were more involved in the arts, there was a greater percentage of them in the top two quartiles for standardized tests and the top two quartiles for reading than those with low involvement.

      These are all great ways that students benefit from the arts, but put aside these statistics, and we still see the importance of the arts as a good in and of themselves. We often find that good things cannot be measured and fit into an ideal number or fact. The conversation about arts in education should not be shaped by the language of utility, but rather we should value the arts for their own sake. Ellen Winner and Lois Hetland are researchers for Project Zero, the Harvard Graduate School of Education’s arts education program. They published a study arguing that arts should be supported in schools, not because they improve standardized test scores, but because they are good and worthy of time and study. Elliot Eisner, professor emeritus in the education department at Stanford University, claimed that arts have an experiential value that cannot be rivaled. Edward Pauly, Director of Research and Evaluation at the Wallace Foundation, an organization that helps provide funds for art education, echoes this sentiment that “there is no substitute for listening to jazz, seeing ‘Death of a Salesman’ performed, reading ‘To Kill a Mockingbird,’ seeing the Vietnam War Memorial. Those powerful experiences only come about through the arts.”

      Within our education, the arts ought to be valued not just for the way they shape our academic achievements or even the way in which we interact with others, but simply because they are a good.

      Sources: AEP-Arts.org, The Kennedy Center, The New York Times, WLTX.com

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     Many universities, including Eastern, have begun to replace courses previously offered in person with online classes. There is a certain appeal in being able to take a class accommodated to those with busier schedules, which tends to be most college students. Rather than showing up two to three days a week at a set time, there is more flexibility in being able to follow along from the comfort of your dorm room or a coffee shop, as many or as few times as you choose. Yet the movement towards offering classes online leads us to question the way in which we view our education. What is the purpose of education? How is learning connected to the cultivation of good friendships? Ought we to think of our learning as something done in isolation? How are we to view our role within the classroom as students? What does it mean to have good conversation?

     It seems as though our current education system is geared towards spitting out a chain of efficient workers rather than fostering good, well-rounded people. Education is an important factor in shaping our values, which in turn affects the role we play in our families, our churches and, on a broader scale, our communities. Should we not think about the effects that our education has on the way in which we interact with others? A classroom should be a place in which there is a cultivation of love and appreciation for beautiful things, good people and meaningful conversations. A classroom is a place where important questions are to be asked and hard discussions are to be navigated: a place where you can learn to carry a conversation as if it were a dance in which you continually seek to make your partner look better.

     Ken Robinson, author and international consultant on education, believes learning should be designed to instill a sense of creativity in students. However, he holds that the current system is educating people out of their creativeness. Rather than creating a space in which many different learning styles can thrive, we attempt to put education into a tidy box that can be mass produced, which only creates more of what it already is: a machine.

     The nature of online classes cuts off the element of our education that centers on being a part of a larger community. While there are discussion boards for class websites which are designed to provide a place for dialogue, they lack the intimacy and authenticity of meaningful face-to-face conversations. Without a sense of community, education loses an essential component. That is to say, a class ought to be a space in which students and professors alike learn how to love, grow and seek in the company of others. Education is inherently personal. In-person classes are necessary for building relationships, which cannot be divorced from our learning. We need people to grow with. We need other people to fully understand the depth of our favorite characters in literature. We need people to grasp the complexity of human life that exists in a single cell. We need people to come alongside us and show us what it looks like to be a good friend.

     While online classes have their place in universities, we should think deeply about what we value in education and how we can incorporate this into these courses.

     Source: Ken Robinson, “How Schools Kill Creativity”

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